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The Road Not Taken

Several asked asked  several times what I would do after the end of the school year. There is no set plan, but we spent a fair amount of time on the weekend beginning a website and some design of a logo for my next adventure. This is an opportunity to continue with several loves: learning, writing, and try make a difference, albeit a small one in the world. There is no certainty of where it takes us. Unlike the bureaucracies I tangled with my entire adult life, this is an opportunity to, as Robert Frost said, “take the road less traveled.” Where I go will not be planned out, but will be an opportunity to make a mark on the trail that others might find and follow.

I get to do this with Kathy. She is much sharper than I am when it comes to the details of a website, planning a logo, and setting the direction the first steps need to take. I get to combine a number of things I love deeply in this new adventure.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Think Different

We are on the road today as this is the May long weekend in Canada.

I found this poem the other day and it spoke to me. I love being in the classroom. It is a creative place where I do not worry about pegs and holes. I grew to call my classroom the geometric paradigm where we learned to find the pegs that fit each of us any given day. This poem is a part of Apple‘s advertising.

Without those who do not fit in some way, who cause a certain amount of discomfort, and seek ways to change things up are we able to innovate and create. It is both uncomfortable for those who try to bring about change and to those change impacts. To make it work, we all have to be a little crazy together. Here’s to each of us who embrace a bit of craziness and weirdness.

Here’s to the crazy ones.

The misfits.
The rebels.
The troublemakers.
The round pegs in the square holes.
The ones who see things differently. They’re not fond of rules.
And they have no respect for the status quo. You can praise them, disagree with them, quote them,
disbelieve them, glorify or vilify them.
About the only thing you can’t do is ignore them.
Because they change things.

They invent. They imagine. They heal.
They explore. They create. They inspire.
They push the human race forward.

Maybe they have to be crazy.
How else can you stare at an empty canvas and see a work of art?
Or sit in silence and hear a song that’s never been written?
Or gaze at a red planet and see a laboratory on wheels?
We make tools for these kinds of people.

While some see them as the crazy ones,
we see genius.
Because the people who are crazy enough to think
they can change the world, are the ones who do.

I walked a mile with Pleasure

This is a difficult post. I started it this morning and let the day unfold around Robert Browning Hamilton’s poem. I sensed it would be a day of both pleasure and sorrow.

I resigned from my teaching position. I won’t go back next year. There is nothing calling me back now. My heart has a special place for Stony. It is not a school. It is more, a community where people meet, greet each other, and learn together. That faded and I leave while I still hold the goodness and richness I found there; my narrative  untarnished.

I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.

I walked a mile with Sorrow,
And ne’er a word said she;
But, oh! The things I learned from her,
When sorrow walked with me.

I learned the most about who I was and about what was important to me through loss. I almost resigned a year ago, but Kathy, with her uncommon common sense, convinced me, for various reasons, to return. I am glad I did. I looked forward to work each day and learned with this small group of students. I completed grieving about the loss of a one of a kind school, “but, oh! The things I learned from her/When sorrow walked with me.” Last year was the wrong time to leave. I would have remembered only the bitter and not tasted the richness of the fruit this journey bore.

John Kabat-Zinn said, “Find a Job with a capital J. Stop doing other people’s work.” I would add one small caveat: complete the journey before you exit. Leave nothing behind and look back only at the good that came of it. Know you served well those you met on the path. Hold your head high.

Elegy in the Classroom

Anne Sexton wrote this wonderfully provocative poem. I am unsure of her context for the poem, but an elegy is a lament or a mourning for something past. As with anything, when we grow past the love and passion for what we do and the compassion for the people we do it with it is time to take our leave. I want to be remembered as ‘gracefully insane’ or eccentric. I love learning with my students and their families the second greatest reward I can receive. The first is learning with my family. I think, in both cases, I could be called somewhat ‘disarranged’.

Teaching is a place of great creative for me and fills a whole in the hole of my soul.

Oh my, Anne Sexton discovered and chose great words for teachers.

In the thin classroom, where your face
was noble and your words were all things,
I find this boily creature in your place;

find you disarranged, squatting on the window sill,
irrefutably placed up there,
like a hunk of some big frog
watching us through the V
of your woolen legs.

Even so, I must admire your skill.
You are so gracefully insane.
We fidget in our plain chairs
and pretend to catalogue
our facts for your burly sorcery

or ignore your fat blind eyes
or the prince you ate yesterday
who was wise, wise, wise.

What I Have Learned So Far

I wonder if I do enough. Is there more that I can do? Certainly, I discover the seed Mary Oliver referred to in quiet moments of meditation. What can I do so it grows and I move beyond indolence? Yesterday, a former student visited. He is a success story in my career, a young man who was disengaging from school in late elementary. His parents supported our efforts and the result was a high school graduate, a married man with two children, and he is headed to Africa for work.

He reminded me through his visit that I had done more than talk the good story. We sowed the seed and it flourished.

Meditation is old and honorable, so why should I
not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

All summations have a beginning, all effect has a
story, all kindness begins with the sown seed.
Thought buds toward radiance. The gospel of
light is the crossroads of — indolence, or action.

Be ignited, or be gone.

For the Raindrop, Joy Is Entering the River

It was a long day with lousy weather, but I wore sandals without socks. I was an optimist today and felt the warm weather, just around the corner, will be more joyfully experienced. A student asked why I wore sandals and I answered him that way. I want to be hopeful about what is coming. There is enough unhappiness in the world without adding to the weight of it. Weather is a small thing, but small things add up and I can begin that thinking here. I lighten the weight of the larger things in life. I appreciate the richness of life as Ghalib writes about in this poem.

For the raindrop, joy is in entering the river -
Unbearable pain becomes it’s own cure.

Travel far enough into sorrow,
Tears turn to sighing;
In this way
We can learn how water can die into air.

When, after heavy rain,
The storm clouds disperse,
It is not that they’ve wept themselves
Clear to the end?

If you want to know the miracle,
How wind can polish a mirror,
Look:
The shining grass grows green in spring.

It’s the rose’s unfolding, Ghalib,
The creates the desire to see -
In every color and circumstance,
May the eyes be open for what comes.

Cutting Loose

Only four students attended today. These students struggle with school for various reasons. I think it is because they are cast aside by adults. They want adults in their lives to set boundaries and be real. I asked a student what he had learned after we completed a Math question together. He responded you are always right, meaning me. I made a mistake in my calculations. We laughed. I told another student I did not like Math when I went to school either. When adults lighten up and are genuine they make an impact on children who need help.

William Stafford reminded us to be genuinely human, cut loose, and have fun. Parker Palmer suggested: “Teachers live on the most vulnerable intersection of public and private life.” Yes, we are vulnerable , but children and adolescents smell the disingenuous when we are not authentic.

Sometimes from sorrow, for no reason,
you sing. For no reason, you accept
the way of being lost, cutting loose
from all else and electing a world
where you go where you want to.

Arbitrary, a sound comes, a reminder
that a steady center is holding
all else. If you listen, that sound
will tell you where it is and you
can slide your way past trouble.

Certain twisted monsters
always bar the path — but that’s when
you get going best, glad to be lost,
learning how real it is
here on earth, again and again.

Leaving Home

I posted Taylor Mali’s poem, Undivided Attention, the other day and found my way to his website. He taught for several years in the New York City school system and he has lesson plans on the site. I tried one with the students that examines the difference between the literal and figurative on Thursday.

Mali posed provocative questions and students wrote short paragraphs. Examples of these questions are “What happens to the dreams you don’t remember?”; “Which letter of the alphabet is the most intelligent”; and “Do leaves look forward to falling in autumn? Or do they hand on for dear life?” Students struggled as one of the instructions was to not explicitly name the thing in the question. They were to artfully describe their letter, the leaves, or what happens to dreams and present them in figuratively and not literally. There was a lot of conversation and some writing.

I took matters into my hands and wrote a short paragraph. I wrote on the fly so the language is a bit passive and words i.e. visage were not the right ones. Visage is French for face so would not have glanced around. When I model, I find the students make more progress.

“He frantically clung to life fighting a losing battle against nature and her forces. At wit’s end, he valiantly, vainly hung on not submitting to a cyclical reality. He sensed loneliness and not solitude. Assisted by gentle breezes his discoloured visage glanced furtively around. He was in this alone. His colleagues humbly had moved on ahead of him finding their way to become humus and rebirth in the next spring. What to do now? He realized this was not the end he had planned for and took his leave that autumn day. His job done and he wafted towards his destiny.”

Today, I crafted this into a poem. The language is a little more active and I hid the topic. The answer is in the tags.

Frantically he clings to life,

He wages a futile battle versus Nature,

Against all her marshaled forces.

Valiantly, he struggles,

Unwilling to let go,

He wages this vain battle.

He senses loneliness;

His, a solitary stance–

Sans ally.

Today, a gentle breeze rustles only him;

His discoloured visage turns–

And, he glances furtively about.

Colleagues, long departed

Humbly headed home

They add a new, rich layer.

Silent humus and rebirth whispers,

Come, ready Mother Earth

Help prepare Her new garden.

Not the end he desired,

But, this past season’s calling is complete,

Wisdom speaks and he lets go.

Downward, he gently falls

And, his job is complete

Gracefully, he alights.

Undivided Attention

We set out tomorrow for a short trip tomorrow through the mountains and, hopefully, no snow. There will be snow. I hope it is not snowing.

A colleague recently introduced me to the poetry of Taylor Mali. He is better known for the poem What Teachers Make. That was a poem I had heard several times before, but could not have attributed it to a poet. Mali has great wit, clarity, and creates powerful imagery through his words. He was a teacher for several years and I think he would have been fantastic in the classroom building relationships with young people. I wrote about Sam Intrator several months ago and I think Taylor Mali is the kind of teacher he was describing in his book, Tuned In and Fired Up.

This poem by Taylor Mali spoke as the day unfolded. I need to be present for my students to learn. I need to give them my undivided attention so they can give their undivided attention to the subject at hand, perhaps that piano hanging eight stories up across the street. What could we learn that day?

A grand piano wrapped in quilted pads by movers,
tied up with canvas straps—like classical music’s
birthday gift to the criminally insane—
is gently nudged without its legs
out an eighth‐floor window on 62nd street.

It dangles in April air from the neck of the movers’ crane,
Chopin-­‐shiny black lacquer squares
and dirty white crisscross patterns hanging like the second‐to­‐last
note of a concerto played on the edge of the seat,
the edge of tears, the edge of eight stories up going over—
it’s a piano being pushed out of a window
and lowered down onto a flatbed truck!—and
I’m trying to teach math in the building across the street.

Who can teach when there are such lessons to be learned?
All the greatest common factors are delivered by
long‐necked cranes and flatbed trucks
or come through everything, even air.
Like snow.

See, snow falls for the first time every year, and every year
my students rush to the window
as if snow were more interesting than math,
which, of course, it is.

So please.

Let me teach like a Steinway,
spinning slowly in April air,
so almost-­‐falling, so hinderingly
dangling from the neck of the movers’ crane.
So on the edge of losing everything.

Let me teach like the first snow, falling.

Art and Haiku

We are artists the Fridays we attend. I am not an artist, but have the good fortune to have parents who contribute and are quite artistic. A number of the students are good artists as well. Our first artistic venture was Grid Art. I included a couple of pictures today with a little poetry along with images. I used my cell phone camera so I don’t think the pictures turned out well.

Bird 2

winged clouds above

contrasted against blueness

majestic in flight

Cosmos 2

Brilliant colour

Emerges from black richness

Ever expanding

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