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For the Raindrop, Joy Is Entering the River

It was a long day with lousy weather, but I wore sandals without socks. I was an optimist today and felt the warm weather, just around the corner, will be more joyfully experienced. A student asked why I wore sandals and I answered him that way. I want to be hopeful about what is coming. There is enough unhappiness in the world without adding to the weight of it. Weather is a small thing, but small things add up and I can begin that thinking here. I lighten the weight of the larger things in life. I appreciate the richness of life as Ghalib writes about in this poem.

For the raindrop, joy is in entering the river -
Unbearable pain becomes it’s own cure.

Travel far enough into sorrow,
Tears turn to sighing;
In this way
We can learn how water can die into air.

When, after heavy rain,
The storm clouds disperse,
It is not that they’ve wept themselves
Clear to the end?

If you want to know the miracle,
How wind can polish a mirror,
Look:
The shining grass grows green in spring.

It’s the rose’s unfolding, Ghalib,
The creates the desire to see -
In every color and circumstance,
May the eyes be open for what comes.

Splendor

“More often than not splendor is the star we orbit without a second thought, especially as it arrives and departs.” Thomas Centolella offered that line in the poem Splendor. I stop occasionally and recall what is good about this life; family, a fulfilling vocation, and friends found along the journey. Most days, I travel this orbit rather mindlessly and I need a momentary and mindful pause which brings my world into sharper focus.

Be mindful, weary traveler, be mindful of what you have and hold it close while you can.

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One day it’s the clouds,
one day the mountains.
One day the latest bloom
of roses – the pure monochromes,
the dazzling hybrids – inspiration
for the cathedral’s round windows.
Every now and then
there’s the splendor
of thought: the singular
idea and its brilliant retinue -
words, cadence, point of view,
little gold arrows flitting
between the lines.
And too the splendor
of no thought at all:
hands lying calmly
in the lap, or swinging
a six iron with effortless
tempo.  More often than not
splendor is the star we orbit
without a second thought,
especially as it arrives
and departs.  One day
it’s the blue glassy bay,
one day the night
and its array of jewels,
visible and invisible.
Sometimes it’s the warm clarity
of a face that finds your face
and doesn’t turn away.
Sometimes a kindness, unexpected,
that will radiate farther
than you might imagine.
One day it’s the entire day
itself, each hour foregoing
its number and name,
its cumbersome clothes, a day
that says come as you are,
large enough for fear and doubt,
with room to spare: the most secret
wish, the deepest, the darkest,
turned inside out.

There is some of most of what the poet refers to in that picture.

Cloud Painter

I came across this thought-provoking poem that reminded me of a post several days ago, Slowly, Slowly Wisdom Gathers. We to lay on our backs and let clouds above drift across the sky. They paint their pictures in that blue; we remember our stories in them as we close our eyes, and we drift along with them. We know something is beyond the horizon of both the sky and our immediate life. Slowly, it drifts into view and it sharpens with detail as it enters this moment only to drift away. Nothing is permanent. Everything is transient. Jane Flanders wrote this poem as a testament to clouds and life move serenely across the canvases they rest upon.

At first, as you know, the sky is incidental–

a drape, a backdrop for the trees and steeples.
Here an oak clutches a rock (already he works outdoors),
a wall buckles but does not break,
water pearls through a lock, a haywain trembles.

The pleasures of landscape are endless. What we see
around us should be enough.
Horizons are typically high and far away.

Still, clouds let us drift and remember. He is, after all,
a miller’s son, used to trying
to read the future in the sky, seeing instead
ships, hornes, instruments of flight.
Is that his mother’s wash flapping on the line?
His schoolbook, smudged, illegible?

In this period, the sky becomes significant.
Cloud forms are technically correct–mares’ tails
sheep-in-the-meadow, thunderheads.
You can almost tell which scenes have been interrupted
by summer showers.

How his young wife dies.
His landscapes achieve belated success.
His is invited to join the Academy. I forget
whether he accepts or not.

In any case, the literal forms give way
to something spectral, nameless. His palette shrinks
ti gray, blue, white–the colors of charity.
Horizons sink and fade,
trees draw back till they are little more than frames,
then they too disappear.

Finally the canvas itself begins to vibrate
with waning light,
as if the wind could paint.
And we too, at last, stare into a space
which tells us nothing,
except that the world can vanish along with our need for it.

Leaving Home

I posted Taylor Mali’s poem, Undivided Attention, the other day and found my way to his website. He taught for several years in the New York City school system and he has lesson plans on the site. I tried one with the students that examines the difference between the literal and figurative on Thursday.

Mali posed provocative questions and students wrote short paragraphs. Examples of these questions are “What happens to the dreams you don’t remember?”; “Which letter of the alphabet is the most intelligent”; and “Do leaves look forward to falling in autumn? Or do they hand on for dear life?” Students struggled as one of the instructions was to not explicitly name the thing in the question. They were to artfully describe their letter, the leaves, or what happens to dreams and present them in figuratively and not literally. There was a lot of conversation and some writing.

I took matters into my hands and wrote a short paragraph. I wrote on the fly so the language is a bit passive and words i.e. visage were not the right ones. Visage is French for face so would not have glanced around. When I model, I find the students make more progress.

“He frantically clung to life fighting a losing battle against nature and her forces. At wit’s end, he valiantly, vainly hung on not submitting to a cyclical reality. He sensed loneliness and not solitude. Assisted by gentle breezes his discoloured visage glanced furtively around. He was in this alone. His colleagues humbly had moved on ahead of him finding their way to become humus and rebirth in the next spring. What to do now? He realized this was not the end he had planned for and took his leave that autumn day. His job done and he wafted towards his destiny.”

Today, I crafted this into a poem. The language is a little more active and I hid the topic. The answer is in the tags.

Frantically he clings to life,

He wages a futile battle versus Nature,

Against all her marshaled forces.

Valiantly, he struggles,

Unwilling to let go,

He wages this vain battle.

He senses loneliness;

His, a solitary stance–

Sans ally.

Today, a gentle breeze rustles only him;

His discoloured visage turns–

And, he glances furtively about.

Colleagues, long departed

Humbly headed home

They add a new, rich layer.

Silent humus and rebirth whispers,

Come, ready Mother Earth

Help prepare Her new garden.

Not the end he desired,

But, this past season’s calling is complete,

Wisdom speaks and he lets go.

Downward, he gently falls

And, his job is complete

Gracefully, he alights.

Reciprocity

We made home safe and sound. It was tiring, but we visited and shared with family, old friends, and made new friends. I looked through my volumes of poetry books today and came across this one which, for some reason, spoke to me today. I think it was the title. We share our gifts with each other in ways that can help us through each day. We need to be open and heartfelt in giving and receiving.

Nature offers us gifts and when we open our senses and heart we receive them. We saw the first real hints of spring on the drive home, despite the snowfall in places. Yes, it did snow on April 14th. In similar ways we live in relationship with humans, we live in relationship with the world, the universe and their gifts. We learn from the constancy, the peace, and the fortitude of nature. We only need be compassionate and patient.

John Drinkwater wrote this wonderful poem about this constancy, this peace, and this strength that is always around us and with us in the form of the universe, our family, our friends, and a Creator.

I do not think that skies and meadows are

Moral, or that the fixture of a star

Comes of a quiet spirit, or that trees

Have wisdom in their windless silences.

Yet these are things invested in my mood

With constancy, and peace, and fortitude;

That in my troubled season I can cry

Upon the wide composure of the sky,

And envy fields, and wish that I might be

As little daunted as a star or tree.

Art and Haiku

We are artists the Fridays we attend. I am not an artist, but have the good fortune to have parents who contribute and are quite artistic. A number of the students are good artists as well. Our first artistic venture was Grid Art. I included a couple of pictures today with a little poetry along with images. I used my cell phone camera so I don’t think the pictures turned out well.

Bird 2

winged clouds above

contrasted against blueness

majestic in flight

Cosmos 2

Brilliant colour

Emerges from black richness

Ever expanding

Haiku Sampling

I have not posted haiku for a while. We wrote haiku as our last activity of the poetry unit. Whenever we write poems, I roam the classroom with a marker in hand. There are four whiteboards in the room and I write randomly as thoughts come. It helps students on two levels. I write poetry and it is not just them being told to do it. As well, I offer exemplars, some good and some less so. Here is a haiku sampling.

Water seeks freedom

Released from lethargy

Water plunges, plummets.

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Fry it in a pan

Friends for eggs and potatoes

Pig meat, oh soooo good!

Did I mention some were not great?

Fedora wearing

The coolest Rat Pack member

Sinatra maybe.

One student wears a fedora. I mentioned that it reminded me of the Rat Pack. He had no idea what that was or who Frank Sinatra was, but I told him it was cool to be compared to Frank Sinatra.

Little Gidding V

As I rested today, I missed the opportunity to be out there exploring. T. S. Eliot eloquently spoke of this. I seek for and find when I explore the cyclical journey we call life. When I open my eyes, my heart, and my mind like a small child I find the apple-tree of my dreams. When I quiet my thoughts I can hear in the stillness between the waves. The gap between the stimulus and response grows in that way.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, remembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half heard, in the stillness
Between the two waves of the sea.
Quick now, here, now, always–
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of things shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

Manifesto of a Mad Farmer

Tony at A Way With Words asked if I like Wendell Berry. I do and rank him among my favourite poets. When I hear or read his name, I think of this poem.

What does it mean to be radical? The word radical comes from Old English and means going to one’s origins or roots. When I read this poem, it reminds me of the possibilities in a radical life. I can seek out my roots, the wisdom of those who came before me, and lived on the land. I love the second stanza and it just carries on from there for the rest of the poem.

Do something that does not compute, make many tracks, and sometimes confuse the world of where I go. Go against the grain.

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.

So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.

Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion – put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

Replenish

I head to a retreat tonight and I hope that it replenishes my creative spirit. These are the lyrics to a song by Claudia Schmidt. The poem has a nature theme, but the idea of replenishing one’s self is strong, natural, and metaphoric in this case.

We go on, we go on,

Canoe under the hot sun,

The upturned paddles guide liquid to our

dry mouths.

Water within us, water surrounds us,

A great mystery our becoming dry at all.

Replenish, replenish, all must be replenished.

The water within and without.

All that fills, all that surrounds us:

The great whistling pines,

The tenacious beaver,

The ancient loon,

The rush of the young eagle’s wings as it

dips low over our canoe.

Replenish!

The eyes bathed in this delicate solitude,

The trembling eternity,

Called back in mid-sweep only to be

assessed by green parched eyes

Replenish!

Each shriveled heart

Which has its moments only at events set

aside for its song,

But cannot fly for the connection

Between the rock and the human body,

The heron’s wing and the hope in our souls,

We go on,

We go on.

Our paddles dance with the lake water to

the music in our throats.

We will grow dry again

Perhaps leap into the water

A small and symbolic celebration of a great

and endless task

Which gracefully undertaken,

Might allow us to go on, and on, and on.

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