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Cutting Loose

Only four students attended today. These students struggle with school for various reasons. I think it is because they are cast aside by adults. They want adults in their lives to set boundaries and be real. I asked a student what he had learned after we completed a Math question together. He responded you are always right, meaning me. I made a mistake in my calculations. We laughed. I told another student I did not like Math when I went to school either. When adults lighten up and are genuine they make an impact on children who need help.

William Stafford reminded us to be genuinely human, cut loose, and have fun. Parker Palmer suggested: “Teachers live on the most vulnerable intersection of public and private life.” Yes, we are vulnerable , but children and adolescents smell the disingenuous when we are not authentic.

Sometimes from sorrow, for no reason,
you sing. For no reason, you accept
the way of being lost, cutting loose
from all else and electing a world
where you go where you want to.

Arbitrary, a sound comes, a reminder
that a steady center is holding
all else. If you listen, that sound
will tell you where it is and you
can slide your way past trouble.

Certain twisted monsters
always bar the path — but that’s when
you get going best, glad to be lost,
learning how real it is
here on earth, again and again.

Working Together

I read and heard about innovation several times over the the past few days. I was professionally developed yesterday and it came up again. The person indicated innovation is half-formed ideas bumping up against each other as we share them. I wondered about that, because it suggests we work together, collaborate, and recognize the interdependent nature of humans and the world they live in together. I rarely see this and I doubt a bureaucratic mindset is one that embraces those features of innovation. I read recently, and I apologize about a lack of reference, that it is not enough to show up. We need to do something when we get there. David Whyte summarized this beautifully in the following poem.

We shape our self
to fit this world
and by the world
are shaped again.
The visible
and the invisible
working together
in common cause,
to produce
the miraculous.
I am thinking of the way
the intangible air
passed at speed
round a shaped wing
easily
holds our weight.
So may we, in this life
trust
to those elements
we have yet to see
or imagine,
and look for the true
shape of our own self
by forming it well
to the great
intangibles about us.

Limericks

I started on the academic work last night. I was productive as I tracked down some books that I have in my library and added to the library with a book order.

Yesterday, we began our poetry unit at school. I enjoy it and I think, for the most part, the students do as well. They grumble a bit, but, when they start writing they are laughing. We wrote limericks. I wander around the room, talk my way through limericks, and write one or two down on the board. It is mostly off the top of my head and they are fairly rough, but the students get a charge out of it and realize not to take it too seriously. I wrote these two on the board and decided to share.

There once was a boy named Earl

He wanted so desperately to be a squirrel.

Allergic to nuts, his dream were dashed.

Distressed he wailed and his teeth he gnashed

That young fellow named Earl.

There once was a boy who loved basketball

Three-pointers were his downfall.

He went to shooting school

There he did rule

Today, he has fame and is in the Hall.

Tomorrow’s Child

I will change my routine week and post less often. I need to work on my dissertation topic. I want to enroll in the proposal seminar in June. If not, it will be next fall. I need to begin to set the table for the next part of life’s journey.

Today, I commented in an online forum about the state of public education. Another commentator asked, “Is there no hope for real change in the schools of America?” I am not American and cannot answer that specific question from where I sit. Instead, I answered, “I do have hope and, more importantly, I have faith that we can make the necessary changes despite the obstacles. What do we want for our children and grandchildren? This seems like the question we need to ask. Does change offer a sustainable future, not for me, but for future generations in an unimaginable, complex, and chaotic world? This need for real, flexible, and sustainable change reminded me of Margaret Mead: “Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.”

I found this beautiful poem by Brazilian poet Rubin Alves. He spoke of hope, but not hope as a soft and gentle aspect of life, but hope matched with suffering and resiliency which gives rise change and the hoped. I particularly enjoyed: “So let us plant dates/even though we who plant them will never eat them./We must live by the love of what we will never see.”

What is hope?
It is the pre-sentiment that imagination
is more real and reality is less real than it looks.
It is the hunch that the overwhelming brutality
of facts that oppress and repress us
is not the last word.
It is the suspicion that reality is more complex
than the realists want us to believe.
That the frontiers of the possible are not
determined by the limits of the actual;
and in a miraculous and unexplained way
life is opening up creative events
which will open the way to freedom and resurrection –
but the two – suffering and hope
must live from each other.
Suffering without hope produces resentment and despair.
But, hope without suffering creates illusions, naïveté
and drunkenness.
So let us plant dates
even though we who plant them will never eat them.
We must live by the love of what we will never see.
That is the secret discipline.
It is the refusal to let our creative act
be dissolved away by our need for immediate sense experience
and is a struggled commitment to the future of our grandchildren.
Such disciplined hope is what has given prophets, revolutionaries and saints,
the courage to die for the future they envisage.
They make their own bodies the seed of their highest hopes.

Accepting This

When Kathy and I decided I would teach one more year, I wanted to make it the best year possible. I tired last year, was in physical pain, and it was difficult to be there for students as I wanted. I examined my life as Socrates suggested. I realized I focused on things I had little or no control over which is unlike me. I knew I wanted this year to be different and I worked hard the first 1/2 of the year in that respect. I remind myself I can only do what I am capable of doing. I stopped planning and organizing that which is not plannable or organizable and take a breath now and then. I choose to accept my life as it unfolds and as I author it in this moment. I owe this to the students and their families who support them and me.

Mark Nepo reminded me today of this as I read this beautiful poem.

Yes, it is true. I confess,
I have thought great thoughts,
and sung great songs—all of it
rehearsal for the majesty
of being held.

The dream is awakened
when thinking I love you
and life begins
when saying I love you
and joy moves like blood
when embracing others with love.

My efforts now turn
from trying to outrun suffering
to accepting love wherever
I can find it.

Stripped of causes and plans
and things to strive for,
I have discovered everything
I could need or ask for
is right here—
in flawed abundance.

We cannot eliminate hunger,
but we can feed each other.
We cannot eliminate loneliness,
but we can hold each other.
We cannot eliminate pain,
but we can live a life
of compassion.

Ultimately,
we are small living things
awakened in the stream,
not gods who carve out rivers.

Like human fish,
we are asked to experience
meaning in the life that moves
through the gill of our heart.

There is nothing to do
and nowhere to go.
Accepting this,
we can do everything
and go anywhere.

To be of use

Yesterday, I spoke with a frustrated parent. Our little school thrived because parents contributed in meaningful ways to their children’s education. This parent said she was felt like an unpaid employee whose efforts were no longer valued. Now, she could have been just being nice, but she told me she felt welcomed and appreciated in my classroom.

When we ask people, of all ages, to do something they should feel welcomed and worthy of the effort they give. Marge Piercy wrote about this human need to do real work. We find purpose, worth, and identity in our calling. Voice and vocation come from the same etymological roots. We find voice in the work that chooses us. Real work calls us and makes us whole.

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half submerged balls.

I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.

I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who stand in the line and haul in their places,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.

The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.

First Reader

We experienced a good day today. We are writing fractured fairy tales which are parodies of the originals. Students turn the story around and rewrite it with a twist. One student explained that the boy who cried wolf was visually impaired and was the victim of pranks by the sheep. Another student told the story of the Billy Goats Gruff through the eyes of the troll. Would you like it if someone were clacking around on your roof? The handsome prince dumps the beautiful princess for the maid in Rapunzel so someone did live happily ever after. The kids have fun with this activity and we talk about perspective. What if I were the Big Bad Wolf? We learn to understand that life is revealed through many eyes and experiences.

Billy Collins wrote this poem which I think expresses the way we learn and shape our learning. Occasionally, we need to let go, just be in the moment, and experience learning. I think we did that today.

I can see them standing politely on the wide pages
that I was still learning to turn,
Jane in a blue jumper, Dick with his crayon-brown hair,
playing with a ball or exploring the cosmos
of the backyard, unaware they are the first characters,
the boy and girl who begin fiction.

Beyond the simple illustrations of their neighborhood,
the other protagonists were waiting in a huddle:
frightening Heathcliff, frightened Pip, Nick Adams
carrying a fishing rod, Emma Bovary riding into Rouen.

But I would read about the perfect boy and his sister
even before I would read about Adam and Eve, garden and gate,
and before I heard the name Gutenberg, the type
of their simple talk was moving into my focusing eyes.

It was always Saturday and he and she
were always pointing at something and shouting,
“Look!” pointing at the dog, the bicycle, or at their father
as he pushed a hand mower over the lawn,
waving at aproned mother framed in the kitchen doorway,
pointing toward the sky, pointing at each other.

They wanted us to look but we had looked already
and seen the shaded lawn, the wagon, the postman.
We had seen the dog, walked, watered and fed the animal,
and now it was time to discover the infinite, clicking
permutations of the alphabet’s small and capital letters.
Alphabetical ourselves in the rows of classroom desks,
we were forgetting how to look, learning how to read.

Poem Against the First Grade

When I read this poem, I do so with care. George Venn wrote it in the voice of a six-year-old, but I can easily imagine anyone so excited about learning that they trip over their words and speak so fast words just run together. The poem reminded me of the way small children or a learner of any age, stops in mid-sentence and makes pronouncements in ways that do not always fit the conversation, but seem so right.

What a marvel when I do not worry about the need to be expert or proficient. I can just be in that moment a small child excited by the newness of my life.

Alex, my son, with backberry jam
smeared ear to ear and laughing,
rides his unbroken joy with words
so fast we let him get away
on the jamjar without clean cheeks first.

He spills frasasass
tea with milk and honey;
a red-chafted schlicker
beats our cottonwood drum.
Thumping the pano keys
like a mudpie chef,
he goes wild with words
at the wittle wooden
arms inside, a hundred
Pinoschios to singsong.
If he can’t wide byebye
bike to the candy store,
where he is Master Rich
with one penny, words turn
to tears in his mouf. Once
in a while, he walks home
with pum-pum-pumpernickel bread
his nose twitching so fast
a wabbit would love him.

Now this language is not taught in first grade.
Alicia, his tister, knows this fact.
But he juggles it around all day
until she makes him spit it out like
a catseye marble or a tack. “Ax,” she says,
“that’s not right.” She’s been among giants
who wipe off the dialect of backberry jam,
then pour hot wax on each bright mistake.

I hope for a bad seal on Ax and tister,
encourage the mold of joyous error
that proper sad giants, armed to the ears
with pencils and rules, all forgot.

Children Will Listen

I tell people when I facilitate workshops we do not teach human qualities, we model them. Good sportsmanship, integrity, and kindness, to name a few of those qualities, are prime examples. We seem to live in a world of “do as I say, not as I do”. Children are observant and intelligent and see through this so easily. They know when things do not add up and are inconsistent. In a world that changes so rapidly, adults need to be vigilant, authentic, and careful about the modeling they do.

Stephen Sondheim wrote this song for the musical, Into the Woods. I enjoy songs with deep meaning in the lyrics and this one is a prime example

How do you say to your child in the night?
Nothing’s all black, but then nothing’s all white
How do you say it will all be all right
When you know that it might not be true?
What do you do?

Careful the things you say
Children will listen
Careful the things you do
Children will see and learn
Children may not obey, but children will listen
Children will look to you for which way to turn
To learn what to be
Careful before you say “Listen to me”
Children will listen

Careful the wish you make
Wishes are children
Careful the path they take
Wishes come true, not free
Careful the spell you cast
Not just on children
Sometimes the spell may last
Past what you can see
And turn against you
Careful the tale you tell
That is the spell
Children will listen

How can you say to a child who’s in flight
“Don’t slip away and i won’t hold so tight”
What can you say that no matter how slight Won’t be misunderstood
What do you leave to your child when you’re dead?
Only whatever you put in it’s head
Things that you’re mother and father had said
Which were left to them too
Careful what you say
Children will listen
Careful you do it too
Children will see
And learn, oh guide them that step away
Children will glisten
Tamper with what is true
And children will turn
If just to be free
Careful before you say
“Listen to me”

A Note

Well, I made it to the finish line this week and had a good day today. I ran out of steam after lunch, but afternoons have been kind this week. We are writing Fractured Fairy Tales and students get into this activity. I find opportunities to work 1-on-1 with students who need a little extra help. It is a great unit plan and can be modified for different ages.

Wislawa Szymborska wrote this poem. It fits with recent reflections about the extraordinary nature of ordinary life. My father-in-law, Bill, used to ask, “Who has more fun than people? More people do, of course!” I recalled his quirky, wise sayings as I read this poem. It is simple things, often overlooked, that give life its fullest meaning.

Life is the only way
to get covered in leaves,
catch your breath on sand,
rise on wings;

to be a dog,
or stroke its warm fur;

to tell pain
from everything it’s not;

to squeeze inside events,
dawdle in views,
to seek the least of all possible mistakes;

An extraordinary chance
to remember for a moment
a conversation held with the lamp switched off;

and if only once
to stumble on a stone,
end up soaked in one downpour or another,

mislay your keys in the grass;
and to follow a spark on the wind with your eyes;

and to keep on not knowing
something important.

 

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