Monthly Archives: June 2020

Angry Young Poet

In keeping with Why Do I Write Poetry, the following poem is one I wrote many at about the same time. This is the third time I visited the poem in terms of writing and editing. Several years ago and while explaining the importance of teaching poetry, a student asked if I wrote poetry in junior high school and I responded, “Yes!”. He asked me to share with them. I found them in a small lock box I keep at home and shared several with the class. We talked about the context I wrote the poem in. Even in Canada, I lived in the shadow of the Vietnam conflict and struggled with what that meant.

Sam Intrator suggested teachers expose adolescent students complex, existential questions of life as they move through those formative years. I wrote my poems in 1969. It was a time when identity was increasingly rooted in a global nature of the world, not just immediate community and family. War entered homes via television. Increasingly, I discovered my voice through poetry, expressing an abhorrence to institutional and government sanctioned killing. What set me apart from my peers, was I took no sides. Each was equally wrong in my mind, advancing their ideological stance. My teacher, Mr. McKenzie, an innovative English teacher, encouraged us to discover our voices.

I shared the following poem with my students. We talked about how metaphors of war are used commonly in various institutions and how I found this as troubling as the violence and trauma of war. That feeling re-emerged over the past months with describing dealing with Covid-19 in war-like terms and the troubling events of the past weeks where purported leaders feel it is OK to speak about human beings, not citizens, as an enemy and objects to be manipulated for financial gain based on the basest forms of self-interests. It is worse than the war as it takes on invisible and pervasive forms. It is a form of Social Darwinism where the strong survive, trampling on those further down what is understood as a food chain premised on unfettered oppression of other humans, including various forms of systemic violence. Consider billionaires, in the Covid-19 crisis, gained while those in most need lose what little support they had.

I contrast this with Jacinda Ardern‘s message as the Prime Minister of New Zealand. In The Atlantic, Uri Friedman describes her as an empathetic leader. What emerged in reading the article was we de-serve better leadership, mindful, transforming, serving, etc. focusing on people as humans, not objects.

Students asked me to share poems and I did, with the context within which I wrote them. Parents, who were in the classroom each day, asked about my candour. I responded “I am not about changing minds. I try to change how each student thinks about the world, to see under the surface, reveal a sordid underbelly, and revel in the wonderfulness of human life.” This is a hopeful message, and the leadership we need is evident e.g. Jesus, Buddha, Muhammed, Mary Wollenstonecroft, Anne Frank, Maya Angelou, Soujouner Truth, Rosa Parks, etc.

Win or Lose: What Difference Does it Make?

A game–

Darwin misunderstood,

No great thing to win.

War and it language!

Bells ringing hollow,

Men, women, children gone!

Woe! vanquished losers and winners;

Humans, vanquished in every sense–

Thriving on dividing.

Resenting conquerors,

Rebuilding ruins–

On countless graves.

Morally rudderless,

Blaming the fallen,

Beggaring humans.

Homes on streets,

Hollowing souls–

What war brings?

Innocence dying–

Prryhric victories,

What war brings?

Comrades fallen,

Enemies vanquished–

Proving nothing.

Will we learn?

I pray

For human survival.

I leave you with the following video and song. We listened to Harry Belafonte, and I still do, with his uplifting and hopeful message. We are in this together, not against one another, with each other.

Why Do I Write Poetry

During a professinal development event, a presenter spoke about teaching poetry. To my knowledge, this person spent little time teaching, yet he was a supposed expert about all things teaching. In the course of his presentation, he expressed disdain for poetry. He claimed, without evidence, we teach poetry without explaining to students why we teach it.

In my teaching, I described reasons why I taught something, opening up learning to include what students considered important. This included questions about topics and content. Often, students began with a negative view of poetry. With time, we got over hurdles together. Without a collective effort, we do not overcome issues in life and learning. We end up with haiku written through rote formula:

Here are five syllables

And here I write seven more!

Are you happy now?

The presenter indicated, despite having written poetry, he was unsure why teachers taught poems written. I think there are good reasons, but I could be wrong.

Poetry calls me to choose words, paradoxically spare and spacious. Spareness is in the number of words; the fewer the better. The space allows the reader room to interpret. What did the poet mean? What senses are invoked through the word choice?

Instead of counting something, poetry asks me to explore life and understand quality is not evenly distributed. I have privileges, maleness, whiteness, education, that others do not have the eauitable access to.

Choosing words,

Caring about each–

Describing feelings,

Experiences never identical.

Revealing thickness in meaning,

Experiencing sameness different–

Bringing us together,

Bridging worlds.

I told students, who struggled with reading and writing, poetry was an alternative to express themselves. I used ee cummings, as a model, to overcome worries about grammar, spelling, and capitalization.

i dig ee cummings

no punctuation

no capitols

won’t worry about spellin either

no sweat

aint no problem

i write poetry

I enjoy poetry. I always have. I remember a poem, The Elevator, I memorized in Grade 4. I think it Walter de la Mare wrote it. My friend memorized a poem called Douglas Fir. His name was Douglas. When I enjoy who and what I teach, I bring enthusiasm to writing poetry.

Artists, including poets, are often at the forefront, addressing social issues. In our times this includes Maya Angelou, Thomas Merton, Wendell Berry, Adrienne Rich, Parker Palmer, Thich Nhat Hanh, etc. Sometimes, I do not think of these authors as poets. Each of them wrote/writes poetry helping to raise my awareness about issues.

Below are the wonderful and poetic words of Thich Nhat Hanh.

Peace in our heart

I close with a poem I wrote many years ago as a 15 year old in high school. I have never been a fan of what we call capitalism. What we have is predatory and is at the root of current political, economic, and social issues. Only a handful are admitted to the club.

Captains of Society

Captains of Society

Shallow, superficial, arrogant

Single ambition

Greatness in the eyes of others

Only those with resources can apply

The rest

Forgotten

Pay a high price, but…

It’s their fault

They own their misery.

A cheque to charity

Assuages my conscience

What about the despair?

Don’t care

I claim I do

Donations in badfaith,

It’s a tax receipt

I really claim, but…

Done on the backs of others

Get the staff to donate time

Not mine.

Increase taxes

Not mine!

No way!

It’s wrong!

Tax others!

What is work?

I create jobs

It’s a spectator sport

This work, which

I manage from afar.

Drive luxury wheels

Shout

Curse

What’s the hold up?

Who’s blocking my way?

The ‘75 Ford station wagon

Engine shot

Dead broke!

Is it their home?

 Throw a party

Drink

Eat

Be merry

No concern for homeless

A romantic notion this ‘hobo jungle’

Not my world

What’s wrong?

It’s not my fault

I gave at the office.

After all.

Throw money at problems

It might help

Don’t

Stop, see, care

If it really helps

Denying, refusing, unfeeling

I pay for a clear conscience

After all.

 The misery

In surround sound…

Is out of sight;

Out of mind

Collectively Eliminating Racisim

via Collectively Eliminating Racisim

This is a great post by Shobna. We each have a responsibility to our part, our small part. We can only change the world we are immediate with.

For me, Michelle Obama‘s quote points to Socrates: “An unexamined life is not worth living.” How often do I critically examine my actions, my words, my life? What privileges run below the surface and privilege me in my life? Where can I go without worry of being stopped and interrogated?

Martin Luther King Jr. and Thich Nhat Hanh remind me of the intertwined nature my life of as part of a larger garment of inter-being. What have I done to make the threads that link me to others stronger, healthier, and more whole?

Wendell Berry in his poem, Be Still in Haste, speaks to the need to pause. In each ensuing moment, I begin anew to set the world right. This moment is always the first.

How quietly I
begin again

from this moment
looking at the
clock, I start over

so much time has
passed, and is equaled
by whatever
split-second is present

from this
moment this moment
is the first.

Find a place where you are comfortable and reflect on life. For me, it is a walk in nature. I took the following picture in Jasper National Park several years ago. I could sit on the edge of this lake, soaking in the majesty and reflecting on how I made life better in the next first moment.

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