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Where Words Fails

via Where Words Fail

Thank you to Misifusa for this wonderful post.

I have not posted for some time. This seemed like a good way to begin again, afresh. When I was growing up, we listened to a wide variety of music, including Nat King Cole, Louis Armstrong, and Ella Fitzgerald. I thought it was the norm and grew into a die-hard blues fan, attending concerts by Willie Dixon, John Lee Hooker, and King Biscuit when they traveled to Canada.

As an adult, I saw BB King, John Mayall, Etta James, Ruthie Foster, Taj Mahal, The Blind Boys of Alabama, and others. An American friend told me this was not the norm in the US. He did not have the same opportunities to see these performers as I did or, if he did, it was long after they were in their primes.

The Hans Christian Anderson quote fits well “where words fail, music speaks”. Music breaks down barriers without realizing they are coming down. As a Canadian, I had freedoms I took-for-granted, like the music I listened to and the concerts I attended. When I taught, I played a wide variety of music each morning. It ranged from the blues to jazz to country to folk to old rock and to more contemporary music. Students enjoyed it and it surprised them when they heard me play old Johnny Cash, the blues, and rock-a-billy.

Music is colour-blind or, better yet, music is blind to colour.

I like this particular John Lee Hooker song, which I first heard in the early 1970’s. George Thorogood plays it in most of his concerts in tribute to John Lee. Enjoy.

 

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Joining the Circus

Yesterday, this poem by Mark Nepo found me. I was checking some emails and a site I subscribe to had this poem on it.

For the first time in 30 years, I will not teach and/or learn in formal way this fall. It crept up on me. Yes, I want to teach. I prefer that to joining a circus. In a sense, I am joining the circus. The theme of the poem is how to deal with ups and downs in life. I applied at several universities and received one interview, but came up short.

My challenge is what will we I do in lieu of teaching in some conventional way? As Nepo says, I ready to kiss anything as I hover like a mystical molecule between one stage and another. Like the dozen beginners, I am learning how to juggle and have to begin somewhere.

Each day, I focus on reading and writing and hope to publish in academic journals.  A colleague suggested I write and shed a different light on teaching. As well, I may take some of my poetry and bundle it together in a book. Perhaps, my smile will be so magical I will asked to teach something I did not expect.

I just saw a handwritten note from

Galileo. He was under house arrest

for believing we’re not the center of

everything. Now behind me, in the park,

a dozen beginners, of all ages, learning how

to juggle. We have to start somewhere. The

young man who’s so magical at this is asked

to instruct. He smiles, “You have to keep

trying. Just not the same thing.” Earlier,

I leaned over a letter from Lincoln to a

dead soldier’s mother. This, just weeks

after losing Susan’s mother, sweet

Eleanor. I keep saying her name to

strangers. You see, we all have to

juggle joy and sorrow. Not to do it

well—we always drop something—but

when the up and down of life are

leaving one hand and not yet land-

ing in the other, then we glow, like

a mystical molecule hovering between

birth and death, ready to kiss anything.

 

Dreamers

I thought about some violence we experience in the world. The last few days it is that theme that has drawn me in my writing.

The word compassion comes from sharing a love of something and the suffering that comes from sharing. The word companion comes from sharing a meal, usually on a journey with others.

We have more in common than makes us different. It is differences that make us unique. The ancient concept of common sense (sensus communis) was what a community shared and held in common, to be passed on to the next generation.

With violence, what do we think we are passing on to the next generation? I would like to think we pass on the good we have in common, the sharing of things we love and suffer with, and we will stop for a meal with each other in times we feel strife.

New emerges and we replace what is outdated and unnecessary, but more remains than we replace when we are mindful and attentive to the world we share.

We are dreamers,

Imagining what might be,

Wondering what could be,

Wondering, “who do we share with?”

In suffering and loving,

Experiencing (com)passion.

In moments of passion,

We share with one another,

Delighting us in one moment,

In the next, suffering together

(Com)panions sharing our daily bread.

Anarchy

I felt a touch of sadness the last few days of school. I think it goes back to my first year teaching. The students told me they wanted school to continue into the summer. My last year teaching students sent me off with the message it was not the content that was meaningful, but the life lessons they learned.

Etymologically, anarchy comes from repeatedly new beginnings. Thought of that way, each new beginning is an opportunity to dance.

Rumi said “We rarely hear the inward music, but we’re all dancing to it nevertheless,
directed by the one who teaches us, the pure joy of the sun, our music master.” New beginnings are a dance that we do not always hear the music to.

As an end draws near,

Beginnings emerge,

In the anarchy of living.

One is drawn,

Not by the familiar,

By mystery.

In silent moments,

Stillness calls,

Reaching deep into one’s soul.

In silent moments,

The unseen radiates,

Touching one’s spirit.

Mystery lurks,

Pointing the way,

Deep wonder draws one forward.

Eloquence of Ambiguity

Language matters. Yesterday, I read a post on an educational blog. Essentially, the person argued that “data driven education” was stupid and education was “child driven.” I accept children make choices about what they learn. As a teacher, I used data, including their choices, to inform how I taught.

What I understood demeaned anyone who spoke differently than this person. It is in pluralism and diversity the essence of eloquent ambiguity that we appreciate the world and receive gifts.

Most people accept a world that is grey and their language appreciates the eloquence of ambiguity. Language has a way of fixing things as if they were more permanent. It is the capacity of humans to interpret and re-interpret that brings forth the elegance of the world.

Appreciate the world as it is

It does not arrive pre-packaged.

Embrace uncertainty and ambiguity

Let its eloquence emerge.

Open your heart

Receive unimaginable beauty.

There are no pat answers

Only an internal compass that guides you.

This is a path in Waterton Lakes National Park. A person only sees a short distance ahead when walking a path. What comes next is uncertain.

Driftwood

I am back. The retreat was enjoyable and tiring. Although it was called a retreat, it was different in the sense that it involved research, writing, and lots of conversation. I find retreats invigorating. They are not sit, listen, and try taking notes as a speaker blasts through their presentation.

Retreats have a conversational part. Parker Palmer counsels people at his retreats not to take notes. Instead, we spend time writing and conversing how we feel about various prompts. That was a purpose of this retreat. It is the Currere Exchange.

Currere is the etymological root of curriculum, meaning to run the course of one’s life. It is a subjective way of interpreting a planned curriculum in a school. Whether teachers understand it or not, they are doing this continuously. As one of my co-researchers told me we make decisions about what to teach and leave things out we really like.

In a sense, currere is polishing a planned curriculum. It is a multi-faceted and complicated conversation between a person (re)membering their lived-experiences, aspire to a particular way of teaching in the future, and synthesize those two moments into the present. Each moment acts as a curriculum to inform the other, complicating one’s teaching in a dialogic way. Others enter the classroom and add to the complicated nature of the conversation, each adding their curriculum to the dialogue. It is like a piece of driftwood, being polished by the forces it comes in contact with.

My story being polished,

I (re)member and imagine;

Washed up on a new shore,

Who I am reflected anew.

I am a character in my story,

I pause a moment,

Noting lustre and matte,

Interpreting new meanings.

Soaking in the contours of living,

Experiencing new awakenings,

Running the course of my life,

Each new moment polishing me afresh.

Kathy took this picture in Waterton Lakes National Park.

 

Think Different

This poem, writen by Rob Siltanen, was part of an early Apple advertising campaign. He was a creative director for the company.

It stands out for me, because it echoed a phrase that emerged from my dissertation: “Differences make a difference.” It is in difference we discover what makes us each exceptional. Without the differences, we blend into an indistinguishable mass mere copies of one another. Worse yet, we might only copy the worst of the people we see succeeding.

The poem reminds of the Michelangelo quote: “Every block of stone has a statue inside it and it is the task of the sculptor to discover it.”

To be a teacher, is to inspire and allow each student to discover who they are. It is to be mindful and sensitive to what makes each of them different. It is to both serve and lead at the same time. It is to be different one’s self, as a teacher. How else could a teacher inspire?

The misfits.

The rebels.

The troublemakers.

The round pegs in the square holes.

The ones who see things differently.

They’re not fond of rules.

And they have no respect for the status quo.

You can praise them, disagree with them, quote them,

glorify or vilify them.

About the only thing you can’t do is ignore them.

Because they change things.

They invent. They imagine. They heal.

They explore. They create. They inspire.

They push the human race forward.

Maybe they have to be crazy.

How else can you stare at an empty canvas and see a work of art?

Or sit in silence and hear a song that’s never been written?

Or gaze at a red planet and see a laboratory on wheels?

And while some may see them as the crazy ones,

While we see genius.

Because the people who are crazy enough to think

they can change the world, are the ones who do.”

 

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