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Category Archives: Leadership

A Book Lover’s Tag

via A BOOK LOVER’S TAG 

Diana passed on a tag and posed 13 questions to her followers with this re-blog. The best part of the her post was the John O’Donohue blessing about how our words make the invisible visible through our personal artistry and creativity.

  1. Do you have a favourite place to read? No, I read everywhere but in vehicles.
  2. Do you use bookmarks or random pieces of paper? I use both and more. I turn corners, highlight, and use sticky notes with notes.
  3. Do you eat or drink while you read? I drink tea, but rarely ever eat while I read.
  4. Do you listen to music or watch TV? There always seems to be music playing, but I find the TV distracting. Music fades into the background.
  5. Do you read one book or several at a time? I do both. I find reading one book helps me focus, but I cannot help reading more books.
  6. Do you prefer reading at home or elsewhere? There is a small coffee shop a few minutes from the house. The baristas and owners welcome me almost each day.
  7. Do you read silently or out loud? I read silently most of the time, but, when I read something of particular interest, I read it to Kathy. I enjoy reading to our grandson when we visit with him.
  8. Do you read ahead or skip about? I skip about. I like to read the index in a book and see who references are if it is a book I use for my writing. I cheat and read ahead in non-fiction.
  9. Do you break the spine or treat it like new? I buy many of my books used, so they come well used. If I get a new book, I mark it up inside, but treat it like new.
  10. Do you write in books? I mark them up with a felt marker and make notes for future reference. The exception is when I read non-fiction and poetry.
  11. What books are you reading now? I am reading The Company of Strangers by Parker Palmer.
  12. What is your childhood favourite book? I don’t have one, but I remember reading Little Golden Books and having them read to me as a special part of my early reading.
  13. What is your favourite book of all time? That is like choosing who my favourite child is. I think it depends on mood and time. I enjoy great poetry i.e. Mary Oliver and Wendell Berry. I read books about spirituality i.e. Parker Palmer. I read about education i.e. William Pinar, John Dewey, and Madeline Grumet. I read about philosophy i.e. Aristotle, Hannah Arendt, and Paul Ricoeur. My favourite fiction writers are John D. MacDonald and Paulo Coehlo.

 

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How Quotes Enoble Us

via How Quotations Ennoble Us

I love quotes. They make me reflect about meanings that are not clear. They raise eloquent questions that have no pat answers. They inspire me. Balroop provided three quotes that underscore these points.

Poetry is like quotes and I find many quotes from poems and poets. There are spaces between words, lines, and stanzas I can stand in and wonder.

I leave you with quotes that inspire me to think deeply and ask questions about the meaning of my life.

The first two are from Mary Oliver.

“Tell me, what is it you plan to do with your one wild and precious life?”

“Said the river: imagine everything you can imagine, then keep on going.”

The following is from Wendell Berry.

When despair for the world grows in me
and I wake in the night at the least sound…
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

 

Take Sides

Source: Take Sides

The link is to a quote by Elie Wiesel, a Holocaust survivor and Nobel Peace Prize winner. He is not referring to taking sides over a game. Instead, he speaks to taking sides when we witness wrong-doing and immoral acts. His book Night is a worthwhile reading.

I remind other Christians Jesus reached out to those who were most in need, living on the margins of society. He ate with sinners and tax collectors and stood up against the Pharisees and scribes (Luke 15:1–4) and (Romans 3:23).

We each have to decide what we is immoral and moral. It is not upholding abstract laws and rules, but the spirit of doing what is proper. I did not use the word right or correct . When I do, I fall into a trap of checking a binary box of right or wrong. Instead, I ask “is this proper?” In French, this is a matter of comportment and conduct.

I think the last sentence in the quote are important, worthwhile repeating. It is worth spending time whiling and linger over the words and the depth of their meaning, from a person who suffered and witnessed unthinkable human tragedy perpretrated by other people. “Whereever men and women are persecuted because of their race, religion, or political views, that place must — at that moment — become the center of the universe.”

I am not a big believer in thinking about my legacy, whatever that might be, but I want to be remembered as someone who stood up and spoke out against the wrong done to other people.

Take a Knee

I begin this post with two points. First, I am not American. I spend time in the US and enjoy my time there. One thing I enjoy, and I shared with my students, is the way Americans respond to their National Anthem. Second, Canada, where I live, has social and historical skeletons in the closet i.e. residential schools.

My aim is not to pass judgment, but to cast a different light on what it means to take a knee. In a world that is increasingly secular, perhaps I lose my way in what it means to live in a spiritual way and it can mean many things to different people.

The image that comes to mind when I think of is people kneeling and standing at the foot of the cross of the crucified Jesus. We were not there, but we are told his friends, family members, and followers knelt and stood. It seems there was no one right way.

When Colin Kaepernick first took a knee, I thought of it as praying. The etymology of prayer is to ask earnestly, to beg, and to entreat. Prayer is asking someone i.e. God or something bigger i.e. Universe or a nation than I am to intercede in a concern to me.

To genuflect is to kneel, usually with one knee. It is an act of worship and respect. Parker Palmer wrote about fidelity as something other than mere loyalty. It is loyalty to an obligation, cause, and idea one holds dear.

Who or what one asks depends on one’s spiritual and religious background. What I understand is that there are no fixed answers when I take a knee and pray. I have to listen. Part of praying is silence, listening to what Parker Palmer calls my inner voice. It is only in moments of silence, whether kneeling, standing, or walking, that I hear that inner voice.

I pray in various ways and have since I was a child. When I enter a church, I find holy water, bow to the cross, and complete the sign of the cross. I stand. As I enter a pew I genuflect, taking a knee. I do so with two surgically repaired knees. At times before, during, and after service, I kneel, I pray, and I listen to what my heart says. Other times, I stand. During the Lord’s prayer, I stand and join hands with others asking God to intercede on each of our behalf. As I receive communion, I walk slowly and quietly, bowing my head as I accept the host.

For me, kneeling, standing, and walking quietly show my fidelity to a cause and purpose larger than me. In this case, it is plight of people and our shared humanity. I make a point of being quiet, because it is a time of thoughtful meditation and mindfulness of how the world and I are broken. I beseech someone or something larger than me to intercede and, as Parker Palmer says, to make whole the broken.

 

 

Joining the Circus

Yesterday, this poem by Mark Nepo found me. I was checking some emails and a site I subscribe to had this poem on it.

For the first time in 30 years, I will not teach and/or learn in formal way this fall. It crept up on me. Yes, I want to teach. I prefer that to joining a circus. In a sense, I am joining the circus. The theme of the poem is how to deal with ups and downs in life. I applied at several universities and received one interview, but came up short.

My challenge is what will we I do in lieu of teaching in some conventional way? As Nepo says, I ready to kiss anything as I hover like a mystical molecule between one stage and another. Like the dozen beginners, I am learning how to juggle and have to begin somewhere.

Each day, I focus on reading and writing and hope to publish in academic journals.  A colleague suggested I write and shed a different light on teaching. As well, I may take some of my poetry and bundle it together in a book. Perhaps, my smile will be so magical I will asked to teach something I did not expect.

I just saw a handwritten note from

Galileo. He was under house arrest

for believing we’re not the center of

everything. Now behind me, in the park,

a dozen beginners, of all ages, learning how

to juggle. We have to start somewhere. The

young man who’s so magical at this is asked

to instruct. He smiles, “You have to keep

trying. Just not the same thing.” Earlier,

I leaned over a letter from Lincoln to a

dead soldier’s mother. This, just weeks

after losing Susan’s mother, sweet

Eleanor. I keep saying her name to

strangers. You see, we all have to

juggle joy and sorrow. Not to do it

well—we always drop something—but

when the up and down of life are

leaving one hand and not yet land-

ing in the other, then we glow, like

a mystical molecule hovering between

birth and death, ready to kiss anything.

 

Darling

I was not going to post today, but I came across this poem by Naomi Shihab Nye and it resonated with me. She wrote about language’s paradoxical power and fragility. Even though we may use the same words, they each mean something different to each of us based on our culture, history, and personal experiences. We have to be mindful and attentive to our use of language. It speaks to our character in the story we narrate through the words we choose and share with others.

Language possesses the power to bridge differences. The fragility lies in the idea that we can only hope language bridges differences.

The opening lines remind me of the  etymological roots of companion, meaning to break bread with others on a journey, but, in this instance, it is a fragile journey. The food and tea do not taste quite right under the circumstances.

The last stanza speaks about holding words delicately and pressing our lips on each syllable as we are kissing them, hence the title of the poem.

I break this toast for the ghost of bread in Lebanon.
The split stone, the toppled doorway.

Someone’s kettle has been crushed.
Someone’s sister has a gash above her right eye.

And now our tea has trouble being sweet.
A strawberry softens, turns musty,

overnight each apple grows a bruise.
I tie both shoes on Lebanon’s feet.

All day the sky in Texas which has seen no rain since June
is raining Lebanese mountains, Lebanese trees.

What if the air grew damp with the names of mothers,
the clear belled voices of first-graders

pinned to the map of Lebanon like a shield?
When I visited the camp of the opposition

near the lonely Golan, looking northward toward
Syria and Lebanon, a vine was springing pinkly from a tin can

and a woman with generous hips like my mother’s
said Follow me.

2

Someone was there.
Someone not there now was standing.
Someone in the wrong place
with a small moon-shaped scar on his left cheek
and a boy by the hand.

Who had just drunk water, sharing the glass.
Who had not thought about it deeply
though they might have, had they known.
Someone grown and someone not-grown.
Who thought they had different amounts of time left.
This guessing game ends with our hands in the air,
becoming air.
One who was there is not there, for no reason.
Two who were there.

It was almost too big to see.

3

Our friend from Turkey says language is so delicate
he likens it to a darling.

We will take this word in our arms.
It will be small and breathing.
We will not wish to scare it.
Pressing lips to the edge of each syllable.
Nothing else will save us now.
The word “together” wants to live in every house.

The Poet’s Obligation

I am back. I found it difficult to write a poem and turned to others who might offer me something today.

Pablo Neruda wrote about the poet’s obligation to those cooped up in an office, away from the sounds of nature, and the foam of the sea. Poetry brings the world and its text to people who for whatever reason they are no present to that part of the world.

The poet brings the sea, the thunder, and the foam to the reader in what Neruda called a perpetual cup. Poets share and are part of the world others cannot always find.

The poet is mindful of the world and reflects on it to capture its essence and meaning in ways each person can experience and interpret what that means to them. They pose questions without ready answers to structure each person’s with the world and the poem. The poem becomes a medium to interpret the world as a text.

To whoever is not listening to the sea
this Friday morning, to who ever is cooped up
in house or office, factory or woman
or street or mine or dry prison cell,
to him I come, and without speaking or looking
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a long rumble of thunder adds itself
to the weigh of the planet and the foam,
the groaning rivers of the ocean rise,
the star vibrates quickly in its corona
and the sea beats, dies, and goes on beating.

So. Drawn on by my destiny,
I ceaselessly must listen to and keep
the sea’s lamenting in my consciousness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the sentence of the autumn,
I may be present with an errant wave,
I may move in and out of the windows,
and hearing me, eyes may lift themselves,
asking “How can I reach the sea?”
And I will pass to them, saying nothing,
the starry echoes of the wave,
a breaking up of foam and quicksand,
a rustling of salt withdrawing itself,
the gray cry of sea birds on the coast.

So, though me, freedom and the sea
will call in answer to the shrouded heart.

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