Category Archives: Poetry

Fire

Judy Brown wrote this poem and it is a gentle reminder of spaces in our lives that softly breath passion back into living. In these spaces, we lightly lay com-passion, integrating it in life and rekindling  passion.

Sabbath is an ongoing event. It is the daily pauses taken to be thankful and momentarily rest. It is meditation and prayer, listening not for certainty and answers, but more likely questions serving as life’s fuel. It is being in Nature and seeing ourselves as a small part of the larger whole.

What makes a fire burn
is space between the logs,
a breathing space.
Too much of a good thing,
too many logs
packed in too tight
can douse the flames
almost as surely
as a pail of water would.

So building fires
requires attention
to the spaces in between,
as much as to the wood.

When we are able to build
open spaces
in the same way
we have learned
to pile on the logs,
then we can come to see how
it is fuel, and absence of the fuel
together, that make fire possible.

We only need to lay a log
lightly from time to time.

A fire
grows
simply because the space is there,
with openings
in which the flame
that knows just how it wants to burn
can find its way.

The Low Road

I had to read this whole poem as the first stanza is scary, but Marge Piercy provides a message about the way we our Self.  We are never alone in this work even when we are separate in time and space. Humans connect in ways that make the person stronger.

When we care and act, the world becomes a different place. It is one act, one word, one smile at a time. It is a moment of mindful gratitude at a time. It happens when we are attentive, mindful, and present in the world and not as detached observers.

What can they do
to you? Whatever they want.
They can set you up, they can
bust you, they can break
your fingers, they can
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember, they can
take your child, wall up
your lover. They can do anything
you can’t stop them
from doing. How can you stop
them? Alone, you can fight,
you can refuse, you can
take what revenge you can
but they roll over you.

But two people fighting
back to back can cut through
a mob, a snake-dancing file
can break a cordon, an army
can meet an army.
Two people can keep each other
sane, can give support, conviction,
love, massage, hope, sex.
Three people are a delegation,
a committee, a wedge. With four
you can play bridge and start
an organization. With six
you can rent a whole house,
eat pie for dinner with no
seconds, and hold a fund raising party.
A dozen make a demonstration.
A hundred fill a hall.
A thousand have solidarity and your own newsletter;
ten thousand, power and your own paper;
a hundred thousand, your own media;
ten million, your own country.

It goes on one at a time,
it starts when you care
to act, it starts when you do
it again and they said no,
it starts when you say We
and know you who you mean, and each
day you mean one more.

A Ritual to Read to Each Other

People quite often have views of the world and people that are fixed. We become observers and outsiders separate from the life we live in a sense.

William Stafford‘s poem offers another approach. We read our lives as stories to each other and share in the living. This is important in leading, which we are all able to do. In a sense, reading life is leading, learning, and teaching in the world we co-inhabit.

If you don’t know the kind of person I am
and I don’t know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant’s tail,
but if one wanders the circus won’t find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider–
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give–yes or no, or maybe–
should be clear: the darkness around us is deep.

For Courage

John O’Donohue wrote this lovely poem about the need for quiet spaces where we rekindle the love and joy we find in living life. I attended and presented at a small leadership symposium today. Although it was an invigorating two days, my brain is a bit like mush.

I think I will close my eyes, gather a little kindling around my heart, and seek to create a new spark to light my way.

Close your eyes.
Gather all the kindling
About your heart.
To create one spark.
That is all you need
To nourish the flame
That will cleanse the dark.
Of its weight of festered fear.

A new confidence will come alive
To urge you toward higher ground
Where your imagination
Will learn to engage difficulty
As its most rewarding threshold!

Nature’s Secret

Grace Holmes wrote this poem. I was unable to find a link to the poet, but wanted to share the poem. If someone has a link, I will edit and add it.

The poem reminded me of Alfred North Whitehead‘s thinking. He suggested we only need to look at nature and find general patterns for life. Nature reveals patterns when we take time and observe living in nature.

There’s a secret with these rugged hills, whose slender tops are gray;
There’s a secret with the wild flowers that bloom along the way;

There’s a secret with the roaming clouds that change the changeful sky
A secret have the busy winds, that chant and moan and sigh:

A secret has the moonlight, that touches land and sea,
A secret is between the stars that blink and you and me.

Ah the secrets! can you count them? so numerous are they!
Ah the secrets! can you find them out? can you find them out, I say?

I knew that some sweet secret ‘twixt my garden flowers grew.
But I said, I know, I feel, it is not for me, or you.

I felt there was a secret with the wondrous charming sea,
But again I shook my head and said, that secret’s not for me.

Yea, every where I turn my eyes on nature living show,
I feel there is a secret that ’tis not for me know.

Daybreak

I know it is not daybreak, but it could be. There are many things at many times of the day that leave us breathless. Yesterday, it was squirrels that are simple yet important part of my daily life. At home, it is the rabbits who have migrated into our neighbourhood. They sit very still as we cannot see them, but we know they are there and they are know we are there.

Gabriela Mistral wrote this poem as a reminder that there are many things that can leave me breathless. Being present in the world is important in taking note of those things in more than a superficial way.

My heart swells that the Universe

like a fiery cascade may enter.

The new day comes. Its coming

leaves me breathless.

I sing. Like a cavern brimming

I sing my new day.

For grace lost and recovered

I stand humble. Not giving. Receiving.

Until the Gorgon night,

vanquished, flees.

Awareness Knowing Itself

I just met Danna Faulds poetry. I used this poem as it has a sabbath quality to it. The words suggest stillness and non-reaching that mesh together. The real me is living inside stillness and non-reaching. Letting go affords  opportunities to locate myself in the effortless that emerges.

Settle in the here and now.
Reach down into the center
where the world is not spinning
and drink this holy peace.

Feel relief flood into every
cell. Nothing to do. Nothing
to be but what you are already.
Nothing to receive but what
flows effortlessly from the
mystery into form.

Nothing to run from or run
toward. Just this breath,
awareness knowing itself as
embodiment. Just this breath,
awareness waking up to truth.

i thank You God for this most amazing

e. e. cummings was a poet who loved playing with language and its rules. We see this where he makes up words and excludes capitalization except for two words.

Poetry allows me to explore the world in new ways such as watching for the leaping greenly of trees and all those things which are yes. It is in the cracks that appear in poetry that light shines through.

i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any–lifted from the no
of all nothing–human merely being
doubt unimaginable You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)

Coyote

As I read this weekend, I found Peter Blue Cloud poem. Blue Cloud subtly describes an interconnectedness quite, often overlooked in daily life, that exists in the universe. When we step away from life’s busyness and impersonality and move slowly, gracefully and intimately we explore and connect in the world instead of being outside it.

Indigenous cultures, through tricksters, understand the world as a space humans live in. Coyote is a trickster in many North American aboriginal stories. Through coyote, Peter Blue Cloud reminded me I live in the world and not outside it or beside it. I made whole in this relationship.

Ecologically and ideally, classrooms, students, and teachers are nodes on vast interconnected webs across time and space. Seen this way, education is a reverent, holy space binding us together as it holds stories across cultures and generations. We hear the voices of all, particularly those who live on the margins.

by starlight hush of wind the owl’s voice,

the campfire embers glowing inner universe

by firelight smoke curls weaving faint the voices,

coyote voices faint the pain and smell the pitch,

fire, I sing you stars,

fire, I breath obsidian

& again the owl’s shadow voice leans back

into times past

slinging firs fire,

brittle spine bent bowed toward the fire,

voices low to murmur a child whimper,

deer fat sucked upon to gentle dreaming,

the mother her song the night cradles,

child, the owl, too, has young,

tiny hears and warmth of down,

& old man coughing guttural spit to fire,

young people giggle beneath hide fondlings,

soon to sleep,

again coyote voices drown the mind in a loneliness

of deep respect in love of those who camp

just up the hill,

& tiny crystals of tears spatter the dust,

my people,

legs cannot every carry me back to you,

soul that holds you

forever.

This is what you shall do

This is not a poem, but Walt Whitman used poetic language and deep meditative thought it qualifies. He used  language in ways that are politically incorrect today, but provided considerable insight into what it might mean to be a servant-leader and live in the world that way.

I become part of the world and it is embodied in me in such remarkable ways as I learn from the world. I think that is the counsel that this passage provides for me and asks of me.

“This is what you shall do: love the earth and the sun and the animals, despise riches, give alms to everyone that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning god, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons with the young and the mother of families, read these leaves in the open air every season in every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul and your very flesh shall be a great poem and have the richest fluency not only in its words but the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body…”