Tag Archives: poetry

The Seven of Pentacles

Marge Piercy wrote of the time it takes to create what is good in life. In a fast-paced, hectic world, it is nice to view life as an ecosystem. Good things in life, those things I cherish, were nurtured and took time to appear. They depend upon many things to grow.

In the rich ecosystem, there is mystery and wonder. I ask, “What happened” and expect no definitive answers. I grow to accept it is good and healthy there are no answers and questions lead me forward, slowly and gently into the newness of each moment.

I took the picture at the farm earlier this spring. The tree in the centre is a woodpecker’s roost and, when I look, I see holes in the tree. A trail wanders through the underbrush. I ask who or what else uses the path? Who or what else lives close by? What are the connections? The lifeless tree sustains the ecosystem. Everything is important. I only have to let it be so. When I slow down, questions emerge and sometimes answers, but only occasionally.

Under a sky the color of pea soup

she is looking at her work growing away there

actively, thickly like grapevines or pole beans

as things grow in the real world, slowly enough.

If you tend to them properly, if you mulch, if you water,

if you provide birds that eat the insects a home and winter food,

if the sun shines and you pick off caterpillars,

if the praying mantis comes and the ladybugs and bees,

then the plants flourish, but at their own internal clock.

Connections are made slowly. sometimes they grow underground.

You cannot tell always by looking what is happening.

More than a half a tree is spread out in the soil under your feet.

Penetrate quietly as the earthworms that blows no trumpet.

Fight persistently as the creeper that brings down the tree.

Spread like squash plant that overruns the garden.

Gnaw in the dark and use the sun to make sugar.

Weave real connections, create real nodes, build real houses.

Live a life you can endure: make love that is loving.

Keep tangling and interweaving and taking more in,

a thicket and bramble wilderness to the outside but to us

interconnected with rabbit runs and burrows and lairs.

Live as if you liked yourself, and it may happen:

reach out, keep reaching out, keep bringing in.

This is how we are going to live for a long time: not always,

for every gardener knows that after the digging, after

the planting,

after the long season of tending and growth, the harvest comes.

Summer 2013

Those Images

Kathy went shopping and bought a book. It sounds mundane, but, when she opened the book, she found a small piece of paper with this Yeats‘ poem written on it. We are headed home tomorrow. We will take a few days, travel into Montana, across Glacier National Park, and head north. We will see some of the wild on that trip. I doubt lions will appear but a mountain lion might show up and maybe an eagle on the wing. Certainly, we find better exercise in sunlight and wind.

On the back or it might be the front of the slip, someone wrote the Gandhi quote: “Be the change you wish to see in the world and PEACE”.

What if I bade you leave

The cavern of the mind?

There’s better exercise

In the sunlight and wind.

I never bade you go

To Moscow or Rome.

Renounce that drudgery,

Call the Muses home.

Seek those images

That constitute the wild.

The lion and the virgin,

The harlot and the child.

Find in middle air

An eagle on the wing.

Recognize the five

That make the Muses sing.

The Niagra River

Gary sent me to this poem after I posted Test by Kay Ryan. I seek meaning in my life for those things around me. Other times I don’t pay enough attention, take things for granted, and do not realize the substance of what is there. Even something as large as the Niagara River can go unnoticed and blur into the background. When I pull it forward, its meaning is there, not explainable, but there. I am reminded that meaning exists even when I cannot explain it.

For those who have not visited Gary, you will enjoy his poetry. I do.

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As though

the river were

a floor, we position

our table and chairs

upon it, eat, and

have conversation.

As it moves along,

we notice—as

calmly as though

dining room paintings

were being replaced—

the changing scenes

along the shore. We

do know, we do

know this is the

Niagara River, but

it is hard to remember

what that means.

 

Test

Test

Kay Ryan wrote this deeply spiritual and moving poem. It has a Zen, mystical quality. I am sure there is Something or Someone holding everything together. When something disrupts the ocean of universal consciousness and it goes a little off course or yaws, we feel only the slightest pull. A larger energy field absorbs the drops and warps. The adjustments occur in ways so we are not tested beyond our limits and find a path to walk.

Imagine a surface

so still and vast

that it could test

exactly what

it set in motion

when a single stone

is cast into its ocean.

Possessed of a calm

so far superior

to people’s, it alone

could be assessed

ideally irascible.

In such a case,

if ripples yawed

or circles wobbled

in their orbits

like spun plates

it would be the law

and not so personal

that what drops warps

what warps dissipates.

Harrowing

Parker Palmer wrote this poem with double-meaning in the title. I can live life as a process which ravages, furrows, and scars m face. Living in the past does this. Life is harrowing that way. Or, I leave the travails of yesterday as humis or humility as a foundation for a new crop. I can turn soil, make it richer, and create a greener world.

The poem reminded me of Gadamer‘s concept of fused horizons which is emerging as a central concept in my journey. We can build on the past by using it, good and bad, as a way of making the future a better place. Today’s view; this moment is the place we find our way from.

The plow has savaged this sweet field

Misshapen clods of earth kicked up

Rocks and twisted roots exposed to view

Last year’s growth demolished by the blade.

I have plowed my life this way

Turned over a whole history

Looking for the roots of what went wrong

Until my face is ravaged, furrowed, scarred.

Enough. This job is done.

Whatever’s been uprooted, let it be.

Seedbed for the growing that’s to come.

I plowed to unearth last year’s reasons—

The farmer plows to plant a greening season.

Ode on a Grecian Urn

When I am at Gonzaga, I attend what we call Journal Club once a week. We read, analyze, and share articles, book chapters, or books we have read recently. Once we have shared, we spend time in an open forum discussion based on the presentations. Today, one of the participants brought up this poem by John Keats to help describe the difference between rational thought and faith-based thought. Some things cannot be explained. Words fail me at those times to describe something like love, a piece of art, and any other form of beauty in life. Another person pointed out, when words fail, we are left with the mystery of some thing or concept. I am left with the mystery that certain questions offer.

Thou still unravish’d bride of quietness,

Thou foster-child of silence and slow time,

Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme:

What leaf-fring’d legend haunts about thy shape

Of deities or mortals, or of both,

In Tempe or the dales of Arcady?

What men or gods are these? What maidens loth?

What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard

Are sweeter; therefore, ye soft pipes, play on;

Not to the sensual ear, but, more endear’d,

Pipe to the spirit ditties of no tone:

Fair youth, beneath the trees, thou canst not leave

Thy song, nor ever can those trees be bare;

Bold Lover, never, never canst thou kiss,

Though winning near the goal yet, do not grieve;

She cannot fade, though thou hast not thy bliss,

For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed

Your leaves, nor ever bid the Spring adieu;

And, happy melodist, unwearied,

For ever piping songs for ever new;

More happy love! more happy, happy love!

For ever warm and still to be enjoy’d,

For ever panting, and for ever young;

All breathing human passion far above,

That leaves a heart high-sorrowful and cloy’d,

A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?

To what green altar, O mysterious priest,

Lead’st thou that heifer lowing at the skies,

And all her silken flanks with garlands drest?

What little town by river or sea shore,

Or mountain-built with peaceful citadel,

Is emptied of this folk, this pious morn?

And, little town, thy streets for evermore

Will silent be; and not a soul to tell

Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede

Of marble men and maidens overwrought,

With forest branches and the trodden weed;

Thou, silent form, dost tease us out of thought

As doth eternity: Cold Pastoral!

When old age shall this generation waste,

Thou shalt remain, in midst of other woe

Than ours, a friend to man, to whom thou say’st,

“Beauty is truth, truth beauty,—that is all

Ye know on earth, and all ye need to know.”

How to Regain Your Soul

I opened a poetry anthology to the index and this title jumped off the page. It has been an eventful week. I settled into Spokane including a place to lay my head this fall. When I come here, I find I feel I am in community. It was word-of-mouth that led me to the apartment I will have. One person told me to check with another who referred me to another and eventually the circle was complete.

When I am here, I drop some screen time with  no television. I turn my computer on and listen to CKUA the greatest little radio station in the world.

I need to settle into a regime now to tackle the reading, writing, and research that is around the corner. Gonzaga has excellent to a beautiful river walk to the Spokane Falls and Riverfront Park which I visited in its heyday. Spokane hosted the World’s Fair in 1974 and I was in Nelson BC then and came down with friends.

The river walk is a great place to let my brain relax, my mind to expand, and physically be invigorated. Last summer, as I walked, I found my poet’s voice and I am counting on that happening again over the next couple of weeks. I regain my soul in nature as William Stafford so eloquently puts it. When we got to Waterton, it was dragonflies over Red Rock Canyon that were my white butterflies.

Come down Canyon Creek trail on a summer afternoon

that one place where the valley floor opens out. You will see

the white butterflies. Because of the way shadows

come off those vertical rocks in the west, there are

shafts of sunlight hitting the river and

a deep long purple gorge straight ahead. Put down your pack.

Above, air sighs the pines. It was this way

when Rome was clanging, when Troy was being built,

when campfires lighted caves. The white butterflies dance

by the thousands in the still sunshine. Suddenly, anything

could happen to you. Your soul pulls toward the canyon

and then shines back through the white wings to be you again.

Red Rock Canyon

Ask Me

Last night, I read, more like re-read, the first two chapters of Let Your Life Speak by Parker Palmer. I find it so interesting to read something for a second, third, or fourth time. I always discover something new in the process. It might only be a word, a sentence, a turn of phrase, but it provides new insight. As I read last night, it was no different. Parker included this poem by William Stafford. I had to read several times, because the words are not in perfect order, but life is not either.

Parker Palmer is on Facebook and I follow him. Today, he posted a July 4th tribute with Leonard Cohen performing Democracy on Youtube. The link is Parker Palmer for those interested.

I am in Spokane and somewhat settled in. As I struggle a bit with making sense of my dissertation topic, this poem makes perfect sense. It is precise and piercing in its questions and somewhat disquieting. In those moments of perturbation, life makes more sense and I learn.

Sometimes when the river is ice ask me

mistakes I have made. Ask me whether

what I have done is my life. Others

have come in their slow way into

my thought, and some have tried to help

or to hurt: ask me what difference their strongest love or hate has made.

I will listen to what you say

You and I can turn and look

at the silent river and wait. We know

is there, hidden; and there

are comings and goings from miles away

that hold the stillness exactly before us.

What the river says, that is what I say.

Harvest Home

Tomorrow is my last day. I looked for the poem I thought would speak most eloquently to the role teachers can play. Bettye T. Spinner wrote this lovely poem. What if our classrooms were poetry meant to be lived and learned? It would speak to the wonder and awe of each day we spend with children.

In the ideal

it is harvesting

the work we do–

a reaping of crops grown

from ancestral seeds,

a gathering of first fruit,

from vines that traces their sources

beyond geography,

beyond gender,

beyond the bleach

and blush

and black of skin

and root themselves in watery grace,

in knowledge that nurtures us all.

In the ideal

our classrooms fill, like cornucopia,

overflowing with the bounty of our grange.

Life stories, heaped among the texts,

spill into hallways of our schools,

crowd the sidewalks or the subways

or ride yellow buses home,

altering the form of knowing,

changing heads,

changing hearts,

changing history,

bringing harvest

home.

I Am a Teacher

A student gave me this poem Thursday. The Alberta Teachers Association published it in their monthly newspaper recently. Susan Holland, a retiring teacher, wrote it. Is there such a thing as a retiring teacher?

The poem encapsulates many of my current feelings and points to the impact we have on children and families. The gesture of giving me the poem is deeply meaningful and I am grateful to receive and share it.

I Am a Teacher

You are my children.

We triumph together when you master cursive.

We struggle through long division.

I wipe away your tears when something bruises you elbow

Or someone bruises your heart.

You read to me—I read to you.

We laugh over silly jokes or stories.

I introduce you to new words—

You refresh me with new perspectives.

I wasn’t there when you were born.

I don’t tuck you in at night …

Or dance at your wedding.

But, you are my children.

And as June draws to a close

I grow melancholy.

You will move on and I will stay behind to start again.

And as the years pass you blend, merge, and mingle—

Warp and weft intertwined into my universal child.

I am a teacher.

You are the fabric of my life.