Tag Archives: spirituality

Adios

When we say good-bye to something or someone, the word means more than we say. We hold thoughts and images of what and who we leave behind. Our work, when we say Adios, is incomplete. We recall the memories of things and people we left behind, as we said and waved good-bye. The memories bring smiles, tears, shrugs, and frowns, among other features, to our face and body.

When we say good-bye, there is always something and someone calling us back, perhaps only in our mind as we reach out. The space fills with questions about what we left and a sense of wondering about what is happening with that thing or that person.

Naomi Shihab Nye captured the essence of good-bye as it rolls off our tongues and as we tap our fingers marroed to it. Thoughts and images fill our minds as we reflect on what that word, regardless of language, might mean.

It is a good word, rolling off the tongue;

no matter what language you were born with

use it. Learn where it begins,

the small alphabet of departure,

how long it takes to think of it,

then say it, then be heard.

Marry it. More than any golden ring,

it shines, it shines.

Wear it on every finger

till your hands dance,

touching everything easily,

letting everything, easily, go.

Strap it to your back like wings.

Or a kite-tail. The stream of air behind a jet.

If you are known for anything,

let it be the way you rise out of sight

when your work is finished.

Think of things that linger: leaves,

cartons and napkins, the damp smell of mold.

Think of things that disappear.

Think of what you love best,

what brings tears into your eyes.

Something that said adios to you

before you knew what it meant

or how long it was for.

Explain little, the word explains itself.

Later perhaps. Lessons following lessons,

ON HOW TO PICK AND EAT POEMS

Phyllis Cole-Dai wrote this wonderful poem that offers so much advice about how to live life more fully. When I stand still and just am in the moment, it is there that I can live most fully. Poems grow there and, just like finding something wonderful in nature, we can bow to it as we read it and let it soak in.

Stop whatever it is you’re doing.
Come down from the attic.
Grab a bucket or a basket and head for light.
That’s where the best poems grow, and in the dappled dark.

Go slow. Watch out for thorns and bears.
When you find a good bush, bow to it, or take off your shoes.
Then pluck. This poem. That poem. Any poem.
It should come off the stem easy, just a little tickle.
No need to sniff first, judge the color, test the firmness.
You’ll only know it’s ripe if you taste.

So put a poem upon your lips. Chew its pulp.
Let its juice spill over your tongue.
Let your reading of it teach you
what sort of creature you are
and the nature of the ground you walk upon.
Bring your whole life out loud to this one poem.
Eating one poem can save you, if you’re hungry enough.

When birds and deer beat you to your favorite patch,
smile at their familiar appetite, and ramble on.
Somewhere another crop waits for harvest.
And if your eye should ever light upon a cluster of poems
hanging on a single stem, cup your hand around them
and pull, without greed or clinging.
Some will slip off in your palm.
None will go to waste.

Take those you adore poem-picking when you can,
even to the wild and hidden places.
Reach into brambles for their sake,
stain your skin some shade of red or blue,
mash words against your teeth, for love.
And always leave some poems within easy reach
for the next picker, in kinship with the unknown.

If you ever carry away more than you need,
go on home to your kitchen, and make good jam.
No need to rush, the poems will keep.
Some will even taste better with age,
a rich batch of preserves.

Store up jars and jars of jam. Plenty for friends.
Plenty for the long, howling winter. Plenty for strangers.
Plenty for all the bread in this broken world.

An Appalachian Wedding

This is my first post since getting back at it. It has been a great few months. I did not go far from my computer, but my efforts focused on dissertation writing. That is off the table for about a month as the committee members read and offer feedback. When that is done, I hope to be into research.

Thomas Berry was a Catholic priest and environmentalist who wrote the book The Dream of the Earth. He approached his environmentalism in a very holistic manner, incorporating a variety of traditions: Judeo-Christian, Eastern philosophies, and Indigenous people.

I feel that many people have moved away from the holistic relationship they subjectively and objectively engage in the world/ universe. We are not separate but part of a complex dynamic that is always incomplete and unpredictable.

Look up at the sky
the heavens so blue
the sun so radiant
the clouds so playful
the soaring raptors
woodland creatures
meadows in bloom
rivers singing their
way to the sea
wolfsong on the land
whalesong in the sea
celebration everywhere
wild, riotous
immense as a monsoon
lifting an ocean of joy
then spilling it down over
the Appalachian landscape
drenching us all
in a deluge of delight
as we open our arms and
rush toward each other
all of us moved by that vast
compassionate curve
that brings all things together
in intimate celebration
celebration that is
the universe itself.

For the Traveler

John O’Donohue wrote blessings. This poem weaves in and out as in a mystical and mysterious way. The poem is a journey itself and offers insight into the idea that each moment we live we experience the newness of time.

We often forget, as adults, that nature does not measure time with a clock. It just exists in a continuous movement that is whole in each present moment that holds all of history and all imagined future. In the blink of an eye, it is gone and replaced with a brand new moment.

When we pause and look inward, we find the territories of the spirit that secure us in our lives. Each moment, we visit reminds of the last, but holds it in its wholeness, as well.

Every time you leave home,
Another road takes you
Into a world you were never in.

New strangers on other paths await.
New places that have never seen you
Will startle a little at your entry.
Old places that know you well
Will pretend nothing
Changed since your last visit.

When you travel, you find yourself
Alone in a different way,
More attentive now
To the self you bring along,
Your more subtle eye watching
You abroad; and how what meets you
Touches that part of the heart
That lies low at home:

How you unexpectedly attune
To the timbre in some voice,
Opening in conversation
You want to take in
To where your longing
Has pressed hard enough
Inward, on some unsaid dark,
To create a crystal of insight
You could not have known
You needed
To illuminate
Your way.

When you travel,
A new silence
Goes with you,
And if you listen,
You will hear
What your heart would
Love to say.

A journey can become a sacred thing:
Make sure, before you go,
To take the time
To bless your going forth,
To free your heart of ballast
So that the compass of your soul
Might direct you toward
The territories of spirit
Where you will discover
More of your hidden life,
And the urgencies
That deserve to claim you.

May you travel in an awakened way,
Gathered wisely into your inner ground;
That you may not waste the invitations
Which wait along the way to transform you.

May you travel safely, arrive refreshed,
And live your time away to its fullest;
Return home more enriched, and free
To balance the gift of days which call you.

Song for Nobody

Thomas Merton was a Trappist Monk and prolific spiritual writer of the mid-20th Century with many works published posthumously. He passed away in an accident at a relative young age so it is hard to say how much more writing he had in him. He is best known for his essays, journals, and letters, but wrote poetry and was an artist as well.

He included as one of his key themes the key concept of activism as a form of violence on one’s self. He drew on Eastern philosophies and mindfulness in describing contemplation as a human necessity in the 20th Century with its busyness and distractions. One can only imagine what he would think today.

I thought of the biblical passages about how lilies grow and just do what comes naturally. The flowers sing their songs without words by themselves without spin and toil. We find their  music in their simplicity.

A yellow flower
(Light and spirit)
Sings by itself
For nobody.

A golden spirit
(Light and emptiness)
Sings without a word
By itself.

Let no one touch this gentle sun
In whose dark eye
Someone is awake.

(No light, no gold, no name, no color
And no thought:
O, wide awake!)
A golden heaven
Sings by itself
A song to nobody.

The Fist

Mary Oliver has a way of starting with an idea and then she shifts it so well. She asks questions that provoke more questions than certain answers. Wouldn’t the heavens not have shaken their fist? I think about the ways that the heavens could shake their fist, but Nature does not.

There is patience. What are the little with which the heavens speak of peace. They are countless and, when I open my heart, they find me so easily.

How do the heavens invite us as they open up and invite?

There are days

when the sun goes down

like a fist,

though of course

 if you see anything

in the heavens

in this way

you had better get

 your eyes checked

or, better, still,

your diminished spirit.

The heavens

have no fist,

or wouldn’t they have been

shaking it

for a thousand years now,

 and even

longer than that,

at the dull, brutish

ways of mankind—

 heaven’s own

creation?

Instead: such patience!

Such willingness

 to let us continue!

To hear,

little by little,

the voices—

only, so far, in

pockets of the world—

suggesting

the possibilities

 of peace?

Keep looking.

Behold, how the fist opens

with invitation.

What Happens

Hafiz was the pen name for a Persian poet and mystic who lived about 700 years ago. As we mature, we see the world in new ways. It is an awakening and our eyes open to see new vistas that were always there.

Perhaps like small children, we can learn to just be in the world where everything is new. Several months ago, our grandson played with the little boy in the mirror for about 10 minutes. It was him, but he did not know that and explored the world, because of all its newness.

Somewhere on the journey, we lose that immaturity that allowed us to play with the little boy in the mirror. Maturity is an opportunity to find it again.

What happens when your soul
Begins to awaken
Your eyes
And your heart
And the cells of your body
To the great Journey of Love?

First there is wonderful laughter
And probably precious tears

And a hundred sweet promises
And those heroic vows
No one can ever keep.

But still God is delighted and amused
You once tried to be a saint.

What happens when your soul
Begins to awake in this world

To our deep need to love
And serve the Friend?

O the Beloved

Will send you
One of His wonderful, wild companions—

Like Hafiz.

The Thread

Denise Levertov wrote this lovely poem that reminds me that there is something invisible that keeps us on track. I cannot see it, but I feel the thread and, when I listen quietly, I hear the call. The thread is part of who I am and is not some thing that catches me, but is some thing I become aware of over time.

I explore the world as I hold that invisible thread, hear it, and feel it. It is my pathway into the world that reminds me legacies are not created, but recalled by others.

I cannot plan this path. I walk it, sometimes alone and at other times fully in the company of others. Even when I am alone, am I? Are there those who I cannot see that walk with me with their hands gently placed on my shoulders guiding my journey.

Something is very gently,
invisibly, silently,
pulling at me—a thread
or net of threads
finer than cobweb and as
elastic. I haven’t tried
the strength of it. No barbed hook
pierced and tore me. Was it
not long ago this thread
began to draw me? Or
way back? Was I
born with its knot about my
neck, a bridle? Not fear
but a stirring
of wonder makes me
catch my breath when I feel
the tug of it when I thought
it had loosened itself and gone.

Harmony

My mother is from a family of farmers so digging in the brown earth is symbolic for me today. She had a garden and flower beds until she sold the house and moved into an apartment, but, even there, she kept house plants.

Last night, I chatted with cousins on Facebook. My mother is the last of her generation on both sides of my family. When she gathered with her siblings, there was always tea, chatting (it was never called gossip) and laughter in the house. I think the laughter created the harmony Colleen Lineberry speaks about in her poem.

Thomas Merton wrote that life is about finding our voice through our calling in life, our vocation. My mom raised seven children and babysat many others. Her calling was to be a parent.

Memories and laughter remind us how good the day is.

One morning when I dig
brown earth with bare fingers and
listen to the light wind
shuffle through oak and elm,
I hear the silver of chimes
dangle from a thin wire,
the cadence of children
laugh themselves dizzy
like swirls of bubbles at play.

A choir of robins
trills gossip and questions,
a thicket of poems in the understory.
Each voice
from each perch
sings
through a window of sky.

I remember
to remember
how good this day is:
to slow through creation
along with the breeze
as it gentles and
praises the trees.

Today’s Quote

Today’s Quote.

I love Rumi quotes and poetry. It remains timely even hundreds of years later.

You will have to visit the site to see which quote it is.