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Tag Archives: Denise Levertov

A Gift

Hans-Georg Gadamer described eloquent questions, as questions that do not have pre-supposed answers. Eloquent questions become and bound dialogue.

I used eloquent questions in my dissertation to explore how teachers experience using curriculum. Instead of arriving as a prescribed text with fixed answers, curriculum transforms into questions. Each student’s and teacher’s lived-experiences transform into questions held gently so as not to injure. The word transform means to go beyond the existing form and through the gift of dialogue and eloquent questions we can.

Denise Levertov‘s poem is about holding other’s questions as if they are fragile and are the answers to one’s own questions. Questions are gifts. When we watch a child open a gift, the joy is in watching them turn the gift to explore it from different angles. After all, differences make a difference.

Just when you seem to yourself
nothing but a flimsy web
of questions, you are given
the questions of others to hold
in the emptiness of your hands,
songbird eggs that can still hatch
if you keep them warm,
butterflies opening and closing themselves
in your cupped palms, trusting you not to injure
their scintillant fur, their dust.
You are given the questions of others
as if they were answers
to all you ask. Yes, perhaps
this gift is your answer.

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The Thread

Denise Levertov wrote this lovely poem that reminds me that there is something invisible that keeps us on track. I cannot see it, but I feel the thread and, when I listen quietly, I hear the call. The thread is part of who I am and is not some thing that catches me, but is some thing I become aware of over time.

I explore the world as I hold that invisible thread, hear it, and feel it. It is my pathway into the world that reminds me legacies are not created, but recalled by others.

I cannot plan this path. I walk it, sometimes alone and at other times fully in the company of others. Even when I am alone, am I? Are there those who I cannot see that walk with me with their hands gently placed on my shoulders guiding my journey.

Something is very gently,
invisibly, silently,
pulling at me—a thread
or net of threads
finer than cobweb and as
elastic. I haven’t tried
the strength of it. No barbed hook
pierced and tore me. Was it
not long ago this thread
began to draw me? Or
way back? Was I
born with its knot about my
neck, a bridle? Not fear
but a stirring
of wonder makes me
catch my breath when I feel
the tug of it when I thought
it had loosened itself and gone.

Variation on a Theme by Rilke

Denise Levertov wrote mystical poetry which applied to daily her life. Her poetry contains qualities similar to Rilke who explored life through the spaces provided in poetry. In a sense, poetry acts as a form of Sabbath.

We read poetry’s words and the silence. In the latter, the former come to life asking questions of our whole self. There is no answer in the strictest sense. What emerges in the silence are new questions and as Rilke said, “We live into the questions.”

The silent spaces are important as they enrich the active moments of life. In those silent spaces, we become present in life which confronts us as a sword striking shoulder sending us honorably forward fulfilling life’s tasks and believing we can.

A certain day became a presence to me;
there it was, confronting me–a sky, air, light:
a being. And before it started to descend
from the height of noon, it leaned over
and struck my shoulder as if with
the flat of a sword, granting me
honor and a task. The day’s blow
rang out, metallic–or it was I, a bell awakened,
and what I heard was my whole self
saying and singing what it knew: I can.

Making Peace

Denise Levertov wrote this wonderful and I think it is a good way to bring my week to an end as I head to Sabbath. Stephen at Grow Mercy posted this earlier and I did try to share it with those who follow my blog. It did not make it over and this was the next best thing I could do to get it to you folks. Take a moment and visit Stephen’s blog.

I used a lesson plan with my students where we talked about a culture of war and a culture of peace. They had to describe each one and we did them separately. We have many more words that come to mind when we talk about peace. I filled whiteboard, they would share for an hour, be disappointed when it was over, and the quiet ones were always present. There is a presence in peace. The students ran out of ways to describe a culture of war very quickly.

A voice from the dark called out,

“The poets must give us

imagination of peace, to oust the intense, familiar

imagination of disaster. Peace, not only

the absence of war.”

But peace, like a poem,

is not there ahead of itself,

can’t be imagined before it is made,

in the words of its making,

grammar of justice

syntax of mutual aid.

A feeling towards it,

dimly sensing a rhythm, is all we have

until we begin to utter its metaphors,

learning them as we speak.

A line of peace might appear

if we restructured the sentence our lives are making,

revoked its affirmation of profit and power,

questioned our needs, allowed

long pauses. …

A cadence of peace might balance its weight

on that different fulcrum; peace, a presence,

an energy field more intense than war,

might pulse then,

stanza by stanza entering the world,

each act living

one of its words, each word

a vibration of light–facets

of the forming crystal.

Witness

Denise Levertov wrote this beautiful reminder for me. I awaken and grow aware of the world I live in and with. I only need make the effort to open my eyes, my mind, and my heart

Sometimes the mountain

is hidden from in veils

of cloud, sometimes

I am hidden from the mountain

in veils of inattention, apathy, fatigue,

when I forget or refuse to go

down to the shore or a few yards

up the road, on a clear day, to reconfirm

that witnessing presence.

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