Category Archives: teacher as transformer

Happy Birthday Dr. Seuss

Regardless of where I am, I am in relationship with other humans and the world we share. It is easy to take these relationships for granted. Over the years, I discovered, children and youth embrace differences more readily than adults.

Through the use of satire, made up words, and unusual characters, Theodor Geisel, better known to us as Dr. Seuss, took a stand against bullies, hypocrites, and demagogues. In this way, I think his characters depict pluralism we live in. Yes, there is no Lorax, Yertle the Turtle, or Cat in the Hat, but we can learn to appreciate and defer to their beautiful differences. Even within  differences, I find more similarities and common ground with others, a sense of community of humans.

We need this in the world we co-inhabit with other sentient and non-sentient beings. Too often, people who masquerade as leaders tell us to see difference as a problem, to exploit Nature, and to separate ourselves from our better angels. Perhaps our better angels are Thing 1 and Thing 2.

298x322 Unique Dr Seuss Images Ideas Dr Seuss Art, Dr

I retrieved the Thing 1 and Thing 2 image from Clip Art Mag.

I took this picture Sunday at the Japanese Friendship Garden. Even in the midst of an urban setting, like Phoenix, we discover spots where nature and humans co-exist in almost perfect harmony. In truth, we are never separate from nature and humans. It is only in our thoughts we are separate, somehow superior. When we are present and mindful, we recognize there are no boundaries.

Here are four of my favourite Dr. Seuss quotes:

Today you are You, that is truer than true.
There is no one alive who is Youer than You.

Don’t cry because it’s over. Smile because it happened.
Unless someone like you cares a whole awful lot, nothing is going to get better. It’s not.

So be sure when you step, step with care and great tact.
And remember that life’s A Great Balancing Act.

On Langston Hughes – Black History Month Tribute to a Great Poet

via On Langston Hughes – Black History Month Tribute to a Great Poet

Melba posted a wonderful poem, Mother to Son, written by legendary African-American poet, Langston Hughes.

I used Langston Hughes’s poetry in our poetry unit each year. The metaphor of life as a staircase, sometimes smooth and other times unevern, seemed to fit junior high students. My students responded to it well.

Another aspect of including his work and Maya Angelou‘s poetry was around the issue of civil rights. In Grade 7, we read the book The Cay, by Theodore Taylor who dedicated it to Martin Luther King shortly after he was assassinated, about the relationship of a young white boy and an elderly black man to discuss what being well-educated meant. I included my mother’s line, which was “who would you rather be lost in the wilderness, someone who read about it or an indigenous person, with no schooling, who lived it?”

In Grade 8, we exoplored civil rights through the lens of heros. I let students choose, but some struggled with this choice. Knowing my students well, I introduced them to Jackie Robinson, Willie O’Ree, and Wilma Rudolph, if they were interested in sports. Others, who came from religious families, I encouraged them to consider Martin Luther King  and Mother Teresa. If they were interested in people who stood for the rights of the oppressed, but might not be considered a religious person we talked about Nelson Mandela and Mahatama Gandhi. Regardless, I found, when I tapped into who each student was, colour, ethnicity, and gender dissolved and wonderful projects emerged.

Another Hughes’s poem we read was Dream Deferred, is sprinked with questions from beginning to end:

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore–
And then run?
Does it stink like rotten meat?
Or crust and sugar over–
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

Here, is a video of the poem read by the poet.

Albert Einstein

via Albert Einstein

Mrs. Vee offers a quote from Einstein and a headshot. The quote suggests imagination, which is unbounded, is more important than knowledge, which is limited in scope.

Those who educate provide “images for [the] imagination and for forming…memory….to grasp the ‘circumstances’ [we live in] in their infinite variety.” I use the word educate purposely, as each of us learns in settings other than schools. Schools are formal places where a particular agenda is followed.

Over the last few months, I struggled as I transitioned from having taught and wanting to teach. I define myself as a teacher. I taught one term at a small, private, Christian-based university. I applied twice for a tenure track position and have been ignored both times. I think there are multiple things at play and will deal with three. First, others my age are ready to retire. They say things like “I worked to get to this stage.” I understand teaching as a calling, so never worked to get to this stage. Second, it turns out, in the eyes of some, I am the wrong kind of Christian. I am Catholic, yet I am probably, in the eyes of many Catholics, the wrong kind of Catholic. Third, I limited my imagination. I think this is natural. I have not been here before and have few images for imagination. I only knew myself as a teacher, limiting the possibilities of what I could do and who I was still becoming.

The last point is essential. I mentioned this in the last two posts. I have been writing and am invited by others in to collaborate. I can imagine myself as a writer. I don’t know what kind of writer and what other doors it will open up. But, I have been here before.

Kathy reminds me frequently that “when one door closes, another opens.” What I have to recall is I do not know what will happen as I walk through the new door. I can imagine it and, with imagining, new worlds open up and hope exists.

Mount Robson 1 August 2019

This is the front side of Mt. Robson. I have never seen the backside. I can imagine what it might look like based on what I see and what I have read about it. There is a glacier and lake on the mountain. Based on past experience (history), I can imagine sitting on the edge of the lake, like I can imagine sitting and writing the next poem, article, book chapter, a book about teaching in the best little school in the world, etc. I get to imagine my life, so I don’t have to be the right kind of anything for administrators who can only operate in binary terms.

Imperfection

In my last post, I wrote using a line from Mary Oliver: “what is it you plan to do with your one wild and precious life?” Today, I turn to a wonderful poem by Elizabeth Carlson, Imperfection. What does it mean to be imperfect as I explore what I will do with my one wild and precious life?

In pursusing what it means to live this one and wild precious life, one needs to fall “in love with [their] imperfections.” One of my imperfections might be I continuously and restlessly explore where my life is taking me. In a way, I find an echo of Thomas Merton in this, and I paraphrase, some pursue what calls us without finding it and that is our calling.

I am unsure it is that straightforward and I sense what I have done is ignored where I am at in life, ignoring what makes me who I am with each imperfection. One such imperfection might be I lock in on a particular quality and allow it to define me more broadly.

Instead of discerning what is in front of me, I focus on things I do not control. Henri Nouwen wrote a beautiful book, Discernment: Reading the Signs of Daily Life. In it, he suggests people, events, and signs are put in front of each of us to guide us in life. I defined myself as a teacher for most of my adult life and it was hard to set this aside.

I realize the likeliehood of returning to the classroom is remote. There are prevailing biases in play e.g. age . It appears few, if any, post-secondardy institutions want an aging male who does not fit their paradigm of a professor. Yet, the signs were there, despite my imperfections, something was calling. Over the past year, I co-authored a published paper and was invited to join in several other writing projects, joined a peer review journal board, and, most recently, was invited to submit proposals emerging from my dissertation.

The challenge is to get past an imperfection such as a single way of defining one’s self. Maybe someone will overlook age, gender, race, etc. and invite me to teach in their institution. I have to be awake to who appears and, at this time, it is people asking me to write and be part of those projects.

I am falling in love
with my imperfections
The way I never get the sink really clean,
forget to check my oil,
lose my car in parking lots,
miss appointments I have written down,
am just a little late.

I am learning to love
the small bumps on my face
the big bump of my nose,
my hairless scalp,
chipped nail polish,
toes that overlap.
Learning to love
the open-ended mystery
of not knowing why

I am learning to fail
to make lists,
use my time wisely,
read the books I should.

Instead I practice inconsistency,
irrationality, forgetfulness.

Probably I should
hang my clothes neatly in the closet
all the shirts together, then the pants,
send Christmas cards, or better yet
a letter telling of
my perfect family.

But I’d rather waste time
listening to the rain,
or lying underneath my cat
learning to purr.

I used to fill every moment
with something I could
cross off later.

Perfect was
the laundry done and folded
all my papers graded
the whole truth and nothing but

Now the empty mind is what I seek
the formless shape
the strange off center
sometimes fictional
me.

I leave you with a quote from Henri Nouwen and a picture.

“Where does my complete flowering as a human being connect with the needs of the world?”

While I stand by the turbulent river, I take time to listen and observe carefully what moves me in this moment to make the world a better place.

What Do You Plan to Do with Your One Wild Life?

Mary Oliver wrote the beautiful poem The Summer Day. She ended the poem with a question: “what is it you plan to do with your one wild and precious life?” Actually, she included several questions, which are not answerable in any certain way. Life is unpredictable, but what we want to do with it echoes Hans-Georg Gadamer who wrote “desire beyond wanting.” To me, this suggests we each aspire, perhaps can aspire, to something beyond simply knowing and planning. There is more to life than we can plan and predict, yet we can hope.

I think, as important, the question is about vocation and what calls us forward and animates each of our spirits. Thomas Merton and Parker Palmer write about how vocation and voice relate to one another and are how we express who we are in life. Merton goes so far as to say some of us are perhaps destined to search without discovering what calls us.

I wonder, “have we lost this sense of spiritual purpose in the early part of the 21st Century?” We look out there, read the newspapers, follow 24/7 news, etc. and feel deep despair and hopelessness, perhaps even disinterest to follow what beckons. I don’t say this lightly. Two incidents led me to wonder about this. First, at a recent community engagement conference, I was struck by how much despair filled the room. Second, in a private conversation with a parent, they commented how a child was struggling with what exists beyond our individual life. The child is experiencing a sense of despair over this. In part, this is exacerbated because the parents are atheists and feel unable to give guidance in a spiritual way. Finding our voice and who we are is more than an instrumental process of work. It goes beyond to the spiritual essence of who each are and how that brings meaning to our lives and the world.

In the latter setting, I emphasized the idea that we conflate religion and spirituality. One can be deeply spiritual and non-religious and non-theist. One can be religious and theist without being spiritual. The essence of spirituality is to find what calls to me and respond with the qualities of life I want to find in the world. I don’t think those in short supply, but, if we listen to the media, we come away with a different view. At the heart of this, might be the great existential questions poets, like Mary Oliver, ask us.

Who made the world?

Who made the swan, and the black bear?

Who made the grasshopper?

This grasshopper, I mean-

the one who has flung herself out of the grass,

the one who is eating sugar out of my hand,

who is moving her jaws back and forth instead of up and down-

who is gazing around with her enormous and complicated eyes.

Now she lifts her pale forearms and thoroughly washes her face.

Now she snaps her wings open, and floats away.

I don’t know exactly what a prayer is.

I do know how to pay attention, how to fall down

into the grass, how to kneel down in the grass,

how to be idle and blessed, how to stroll through the fields,

which is what I have been doing all day.

Tell me, what else should I have done?

Doesn’t everything die at last, and too soon?

Tell me, what is it you plan to do

with your one wild and precious life?

I include a lovely reading by Mary Oliver of this poem.

Quote: I looked in temples, churches and mosques…-Rumi

via Quote: I looked in temples, churches and mosques…-Rumi

George is a prodigous blogger, sharing poetry, quotes like this one, and video clips of many of my favourite performers e.g. Leonard Cohen, Nina Simone, Neil Young, etc.

As Rumi suggests, we should look inwards to find the divine as we enter the New Year. Here are words from Mary Oliver to bid farewell to 2019 and usher in 2020:

This is, I think, what holiness is:

The natural world, where every moment is full of
the passion to keep moving

Inside every mind there’s a hermit’s cave full of light,
full of snow, full of concentration

I’ve knelt there, and so have you,
hanging on to what you love, to what is lovely.

Inside each of us there is “a hermit’s cave full of light” where we can be thankful for whato is in our lives and what they each bring into our lives. Take care, enjoy, and be safe as we continue the journey.

Fraser River Near Headwaters

I know I shared this picture previously, but it serves to remind me the most important person in my life and memories we share with each other.

Winter Nights

Despite the title, this is a Christmas poem. I wrote it several years ago about the joy and anticipation I felt, as a child, at this time of year. This was embedded in family and community rituals I experienced growing up. In a consumptive and materialistic world, some of this has been lost. What I do is hold onto the memories.

We lived in an old house and it was often very cold. In the evenings, my mother and three older brothers went across the street to the church for evening mass. This was part of the rite of passage for me. In junior high, I joined them.

Many evenings, I sat by the heavily frosted window to watch my mother and brothers return. Some of those evenings were clear, the sky filled with stars, and sometimes the Northern Lights were part of Nature’s light show.

Breathlessly awaiting,

Through frosted window peering

Small children–

Soaking it in.

Heavens rippling–

Lights undulating;

A celebratory fury

An indisputable guide.

An old house speaking;

Nature answering–

The heavens crackling

Sweet symphonic music.

Earth’s floor–

Blanketed in white

Celestial colours shimmering

Capturing young eyes.

A vivid winter scene,

A sensual, sensory palette,

Reminding–

Christ’s Mass draws near.

I took this picture at the farm this past weekend. The sun goes down early here at this time of the year. They had just had fresh snow, with about 8-10 inches falling in one day, so the scene was still quite untouched.

somehow at peace

via somehow at peace

Matthew writes beautiful poetry and this poem is not exception. Somehow, I find myself going against the grain and moving upstream, searching for and finding peace. Perhaps, it finds me.

Mary Oliver wrote a book, Upstream, speaking of the poet’s need to move against life’s currents to find words and express themeslves. I find questions in poetry, sometimes explicitly formed. Other times, they hide and wait to be lifted up as I imagine what the poet asks. Perhaps, a poet’s task is to guide me as I move upstream.

I wonder what would it be like to take the poet’s sensibility into the world? In a world filled with busyness and distractions, I find that challenging. Yet, I find poetry and poetry-like prose spaces where peace emerges through the poet’s words and expressions of the unexpressible. How can I imagine the words in concrete ways?

 

I took this picture as we travelled through the mountains about 1.5 years ago. The river is relatively calm and peaceful, but to move upstream against the current would be hard work, looking to be expressed. The word express means to force something out, usually against pressure.

The Other Kingdoms

In my recent reading, I came across this poem by Mary Oliver. I had not read it before, but found it spoke to me in deep ways.

The other day, on Facebook, I came across a Welsh saying: “Dwi wedi dod yn ôl at fy nghoed.” It means returning to my senses/regaining mental equilibrium or more literally I returnto my trees. I understand this as coming back to my roots and being mindful and present for each sentient and non-sentient being I encounter. The word Druid means oak-knower and the Druids lived in harmony and oneness in nature.

Where do I feel most comfortable? The word comfort comes from com meaning surround and fort meaning strength. In other words, living mindfully in the world has ethical implications. In Greek, ethos means character and also how music influences morals, emotions, and behavior.

As I listen to each of the other kingdoms, what music do I hear? How does the music influence and inform who I am, what I say, and what I do? How am I aware of the music and sounds I hear in these kingdoms?

Consider the other kingdoms.  The
trees, for example, with their mellow-sounding
titles: oak, aspen, willow.
Or the snow, for which the peoples of the north
have dozens of words to describe its
different arrivals.  Or the creatures, with their
thick fur, their shy and wordless gaze.  Their
infallible sense of what their lives
are meant to be.  Thus the world
grows rich, grows wild, and you too,
grow rich, grow sweetly wild, as you too
were born to be.

I took this picture several years in Jasper National Park. Kathy and I had gone for an early drive and hike. We parked and took pictures. As I turned, I thought I saw something move and walked towards the movement. The cow elk sat and chewed her cud. She was aware of us and, as I approached, I heard the soft sounds she made in completing the digestive process.

We pointed her out to others and cautioned them to be careful and quiet as they approached her.  After all, we are strangers in those other kingdoms.

 

Please drink of me, my love

via Please drink of me, my love

John provided a wonderful post. He often writes poetry and includes images, but this time he was prosaic. His most common theme is love and he was true to that in his post. The link above includes a video.

Along with images, John embedded a video of one of my favourite performers, Leonard Cohen. Cohen’s songs are poems put to music. This link includes a video from Cohen’s recently released posthumous CD.

I have listened to his music and read his poetry for 40 years. The song John posted, Dance Me to the End of Love, is my favourite Cohen song. I am unsure of its underlying, but I think of it as an ode to perfect love that continues like a great dance. Love of this kind does not die. Instead it lives on and is remembered by those who witnessed it.

Thich Nhat Hanh speaks about how our ancestors are always present. I think, with a perfect love, people remember it in the stories and people who were part of that love.

Here is the URL for the Leonard Cohen song Sisters of Mercy. He was well known for writing songs about what he experienced. People interpreted this song as being about prostitutes, but Cohen said the idea came to him as he sat in a hotel room in Edmonton watching nuns come and go from a convent. He took some poetic licence in writing the lyrics.