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Nature and Progress

Several years ago, Kathy and I drove through the Crowsnest Pass to Spokane. I stopped at an overlook in Brocket. The Pikani Nation (Aapátohsipikáni, Piikáni, and Pekuni) people live there. The sight was awe-inspiring with a contrast between Nature and a wind power farm designed with precision suggesting humans control the environment. How different this idea is from farming in tradtional ways. Nature humbles me when I pause to understand and be grateful for my place and role in it, not as an outsider colonizing and domesticating.

Progress creates an illusion we control Nature. It humbles me when it reminds me that is not a true picture. It is humbling when I pause to understand what a small place I hold in its complete picture, a picture too large to be fully grasped by individuals and collectives.

It is times such as these, not limited to the pandemic, Nature holds the upper hand. It is a Creator, which can be understood in religious terms and in spiritual terms.

Acting as backdrop;

Mountains, sky, clouds,

Providing depth and breadth,

Contrasting our progress.

Human products,

Made by mortal hands,

Marching winged machines,

Small, almost indistinct on this canvas.

Without pattern, yet poetic

River meandering a perfect line,

Finding its way,

Unseen hands guiding,

Winding its way home.

Brocket 1

“Will you teach your children what we have taught our children? That the earth is our mother? What befalls the earth befalls all the sons of the earth. This we know: the earth does not belong to man, man belongs to the earth. All things are connected like the blood that unites us all. Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself. One thing we know: our god is also your god. The earth is precious to him and to harm the earth is to heap contempt on its creator.” Chief Seattle

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Quote: I looked in temples, churches and mosques…-Rumi

via Quote: I looked in temples, churches and mosques…-Rumi

George is a prodigous blogger, sharing poetry, quotes like this one, and video clips of many of my favourite performers e.g. Leonard Cohen, Nina Simone, Neil Young, etc.

As Rumi suggests, we should look inwards to find the divine as we enter the New Year. Here are words from Mary Oliver to bid farewell to 2019 and usher in 2020:

This is, I think, what holiness is:

The natural world, where every moment is full of
the passion to keep moving

Inside every mind there’s a hermit’s cave full of light,
full of snow, full of concentration

I’ve knelt there, and so have you,
hanging on to what you love, to what is lovely.

Inside each of us there is “a hermit’s cave full of light” where we can be thankful for whato is in our lives and what they each bring into our lives. Take care, enjoy, and be safe as we continue the journey.

Fraser River Near Headwaters

I know I shared this picture previously, but it serves to remind me the most important person in my life and memories we share with each other.

A spiritual reflection on the Centenary of Thomas Merton – Part 1

via A spiritual reflection on the Centenary of Thomas Merton – Part 1

Bruce posts wonderful text, accompanied by exceptional images. This post caught my eye as I looked through Bruce’s blog. It is about Thomas Merton and his enduring work as a pacifist, activist and support of inter-faith dialogue.

I read Merton and book about his writings frequently. I grew up in the shadow of Vatican II, which promoted inter-faith dialogue and Merton, Brother David Steindel-Rast, Karen Armstrong, Thich Nhat Hanh, etc. attract me to their work.

I find them to be prophetic and mystical, often signaling challenges we will face long before they are evident to most of us. For example, Bruce included a wonderful quote from a letter Merton wrote to Rachel Carson after reading Silent Spring. Both offered prophetic views, as mystics, of a world to come and challenges we faced in the 1950’s.

I leave you with this quote from Thomas Merton and wish each of you the best. However, we each celebrate we need to share our love for each other and the world we share with each other.

The beginning of love
is the will to let those we love
be perfectly themselves,
the resolution not to twist them
to fit our own image.”
~Thomas Merton

Daffodils, Lake, and Mountain in Glacier

I share this image often. Kathy took it in Glacier National Park. She shared it with me out of love and I share it with my love for the people who will see it and nature we are stewards of, echoing Wendell Berry when we say: We Do Not Inherit the Earth from Our Ancestors; We Borrow It from Our Children

Peace

via Peace

Shobna provides a short and powerful message of how each of us can achieve peace.

The Thich Nhat Hanh quote she uses summarizes a message about the source of strength.

The word heart is related to many other words: health, hearth, and courage. Each word points to an inner journey we make to discover peace; to the heart and core (another word related to heart) of each of our strength.

I find nature is a space of solitude where peace emerges during long walks and listening to nature’s soft sounds. It is not that the busyness of the world is in some distant place. Instead, it is often just around the corner and nature offers a temporary sheltering space and reprieve to gather one’s self; a calm in the storm life can become. I added the following quote:

“We have to walk in a way that we only print peace and serenity on the Earth. Walk as if you are kissing the Earth with your feet.” (Thich Nhat Hanh)

Fraser River Near Headwaters

This is my favourite picture taken in the upper reaches of the Fraser River with Kathy standing on the rock. Just beyond her, the river narrows, forming rapids and Rearguard Falls, hinted at in this picture. From where we stood, we heard the river’s noise, chaos, and power as it traversed its narrowing chute (the French word for waterfalls).

Granted, it is chaos to me. Nature embraces what I consider chaos.

Look, the trees…..

via Look, the trees…..

I have been offline for the past week, as we moved into our new house, which is located on the same lot we lived on before. We still do not have Internet, so I go to a local coffee shop once a day and sometimes every other day to catch up. Purple Rays provided a wonderful post to get back in the groove.

When we bought our house 40 years ago, it came with two relatively large spruce trees in the front. Those remain in place as proud sentinels and, as Mary Oliver describes trees in to the new houses we build on the same lot, one for Kathy and I and the other our youngest son built.

We chose to stay and build for several reasons. First and foremost, it gave our son a chance to have his own house. Second, we enjoy the community we live in and have been part of the fabric of it for 40 plus years. It is an area of Edmonton that has tremendous stablity despite the rapid growth of the metro area. We have neighbours who have lived in this community longer than we have.

The house on the left is our house and the one on the right is our son’s house as the trees stand guard.

 

Wild Geese by Mary Oliver

via Wild Geese by Mary Oliver

Yesterday was a day of riches as this wonderful Mary Oliver poem was posted by Dawn and re-blogged by John and Kenne.

There are prayerful and questioning qualities in Mary Oliver’s poetry that challenge me to think about the universe as a place where each sentient and non-sentient being thrives and flourishes. We grow mindful of our needs as they relate to the needs of other living and non-living being. Living is a practical and ethical way of standing in the world. Practical and ethical ways of living are essential to growing spiritually and acting with care towards sentient and non-sentient beings.

Wendell Berry has a poem entitled The Wild Geese asking me to be thankful for the gifts that come to me each day. What do I take-for-granted? What do I overlook and treat as ordinary that I can celebrate as (extra)ordinary? As Mary Oliver asks, “how does my body ‘love what it loves?'” How do I notice the universe and let myself find its way home each day?

Here, is a video of me reading the two poems about geese and the poet’s reminder of being present to what is here.

 

Returning

via Returning

Bela takes wonderful photos in this post and writes a heart-felt poem about returning to special places where we belong.

In poems about belonging and returning there are strains of deep feeling. Home is as much about those feelings as it is about geographic location.

After over 40 years in the same house, Kathy and I felt it was time to do something different. We mulled our options: sell and move, major renovations, and finally settled on tearing the house down and rebuilding where we have lived and raised a family. It will be different, but many of the feelings will still be there.

We have driven and cruised parts of the west coast and Bela’s pictures capture the magificent coastline, lush forests, rivers with mountains towering above, and the ocean.

100_4352

Another place that is home for us is the farm where Kathy grew up. This was a picture she took of a deer just as curious about her as she was of it.

Home is about relationships with people and things that evoke memories of belonging in a particular place and how, each time we return, those memories are vivid in our very being there..

Home

Bruce Weigl wrote this lovely poem. When we practice, the Sabbath we find our way home. We re-discover roots we often leave behind in the busyness of our day-to-day lives.

There is a paradox in this leaving of roots. They remain attached as we can detach from them. We can ignore the roots, but the are always there. We cannot shake loose from them. They follow us and eventually we stop the shaking. We let the roots feed and nurture us the way they can.

In Sabbath practice, we listen to the music that translates the world into dirt fields that always call us. We rejoice in the dirt fields of our youth and find our spirit in those dirt fields. The roots helped make us who we are. We can never escape from those roots or plow them under.

I didn’t know I was grateful

           for such late-autumn

                       bent-up cornfields

yellow in the after-harvest

             sun before the

                       cold plow turns it all over

into never.

           I didn’t know

                        I would enter this music

that translates the world

             back into dirt fields

                         that have always called to me

as if I were a thing

             come from the dirt,

                         like a tuber,

or like a needful boy. End

             Lonely days, I believe. End the exiled

                           and unraveling strangeness.

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