Tag Archives: Mary Oliver

Patience: Darkness and light, conscious and unconscious

Night after night, darkness enters the face of the lily which, lightly, closes its five walls around itself, and its purse of honey, and its fragrance, and is content to stand there in the garden, …

Source: Patience: Darkness and light, conscious and unconscious

The link includes a lovely picture of lily accompanied by a Mary Oliver poem, The Lily. The poem reminds me of the passage from Luke describing the lilies and wild flower, just being and growing.

Nature is what it is. There is a mindfulness in its creation and how it dresses. The lilies wait in their splendor for us to notice them and realize how they are always present. Nature and lilies teach us. To paraphrase Confucius, they open the door and we enter when we are ready.

Lingering in Happiness

Mary Oliver writes mystical and magical poetry. The words, the silences, and the images invoke and evoke something deep within my spirit. The etymologies of invoke and evoke, along with vocation, is “to call” in a ministering sense.

For me, teaching was/is a calling. I am still becoming a teacher. I reflect on what I experienced and arrive at new understandings about what those experience means. Emmanuel Levinas described an event as something that transcends time and place.

In that sense, becoming a teacher is an event as it continues to happen in many ways. Not only am I making sense of what that means and who I am, others do, as well. Even who I am becoming is an intersubjective event that shared with others.

Similar to the rain drops that slowly fall and nourish the oak, becoming some one is something that takes time. The drops and memories may disappear, but not vanish. They leave traces in the tree that grows and the person who is always becoming.

After rain after many days without rain,
it stays cool, private and cleansed, under the trees,
and the dampness there, married now to gravity,
falls branch to branch, leaf to leaf, down to the ground
where it will disappear – but not, of course, vanish
except to our eyes. The roots of the oaks will have their share,
and the white threads of the grasses, and the cushion of moss;
a few drops, round as pearls, will enter the mole’s tunnel;
and soon so many small stones, buried for a thousand years,
will feel themselves being touched.

Angels In Your Head

“You wouldn’t believe what once or twice I have seen.  I’ll just tell you this: only if there are angels in your head will you ever, possibly, see one.”  – Mary Oliver I consider eagles…

Source: Angels In Your Head

Mimi writes about eagles being a spirit animal and her good fortune in having 46 of them guide her on her walks. We live in Alberta where bald eagles fly over the east slopes of the Rocky Mountains as they migrate from their winter and summer nesting areas. When we visit the farm, we see the Rockies from the highway and a pair nested there each spring and fall. For us, it was a rare sighting.

Last weekend, we drove home from a birthday party west of Edmonton. As we drove, there was a bald eagle in the ditch. I think it is unusual to see them this far east of the Rockies and it might be that spring is arriving a bit early.

Mary Oliver’s quote at the top calls us to be mindful and attentive. Every now and then, we see the unexpected, as if we had angels in our heads. In those moments, we sense that something is different, and not just see, and turn in the right direction.

Spring

Source: Spring

Mary Oliver is one of my favourite poets. There is something deeply spiritual about her poetry that finds its way into my heart.

I was not familiar with this poem. Poetry allows us to imagine that we have wings. With those wings. we tap our experiences more fully as we fly with others who join us. When we share the journey with others, it becomes much richer. It is not only our journey.

Live

Notes: Full poem here: a blind flaneur. Poem Source: quotes from books

Source: Live

David posted this wonderful Mary Oliver quote. We can embrace the world as a place that amazes us and not merely one we visit in passing. I love the paradox of simultaneously being bride and bridegroom embracing and being amazed.

When we live fully, we engage in a conversation full of questions that can never be fully answered, but that guide us in our journey. This life is not about a planned legacy, but one that emerges in the memories we leave for others.

 

The Other Kingdoms

Mary Oliver writes such wonderful poetry, even when it looks like prose. I find a depth in the words and spaces that calls me to reflect upon the cultural and personal constraints that surround me. Certainly, I need those constraints. They guide me through the moment-to-moment actions of my daily life. I need those words that help me make sense of the most immediate world that I often take-for-granted.

What if I lived in the north? I would need those many words and an awareness of what the snow told me to survive. I read today that mother orangutans spend 7-8 years with each offspring. During that time, the mothers appear to teach the ways of life necessary for the offspring’s survival. I say appear, because we cannot communicate with them well enough to know with certainty. There is something mystical about that existence that cannot be fully grasped. So even in the orangutan world, there is a culture and communication that helps them negotiate their terrain instinctively.

I love the line “Their infallible sense of what their lives are meant to be.” Just like the lilies of the field, those other kingdoms exist in ways that allow the world that includes us to grow sweetly wild, when we are attentive and mindful to the world.

Consider the other kingdoms. The
trees, for example, with their mellow-sounding
titles: oak, aspen, willow.
Or the snow, for which the peoples of the north
have dozens of words to describe its
different arrivals. Or the creatures, with their
thick fur, their shy and wordless gaze. Their
infallible sense of what their lives
are meant to be. Thus the world
grows rich, grows wild, and you too,
grow rich, grow sweetly wild, as you too
were born to be.

The Fist

Mary Oliver has a way of starting with an idea and then she shifts it so well. She asks questions that provoke more questions than certain answers. Wouldn’t the heavens not have shaken their fist? I think about the ways that the heavens could shake their fist, but Nature does not.

There is patience. What are the little with which the heavens speak of peace. They are countless and, when I open my heart, they find me so easily.

How do the heavens invite us as they open up and invite?

There are days

when the sun goes down

like a fist,

though of course

 if you see anything

in the heavens

in this way

you had better get

 your eyes checked

or, better, still,

your diminished spirit.

The heavens

have no fist,

or wouldn’t they have been

shaking it

for a thousand years now,

 and even

longer than that,

at the dull, brutish

ways of mankind—

 heaven’s own

creation?

Instead: such patience!

Such willingness

 to let us continue!

To hear,

little by little,

the voices—

only, so far, in

pockets of the world—

suggesting

the possibilities

 of peace?

Keep looking.

Behold, how the fist opens

with invitation.

Prayer for a Field Mouse

Pat Riviere-Seel’s poem has a Mary Oliver feel where she honours a small animal that we might even notice in our daily walks. It is a blessing and prayer to have all that Nature offers us.

We soak in the world and find extraordinary in the ordinary.

Bless the gray mouse

that found her way
into the recycle bin.
Bless her tiny body,
no bigger than my thumb,
huddled and numb
against the hard side.
Bless her bright eye,
a frightened gleaming
that opened to me
and the nest she made
from shredded paper,
all I could offer.
Bless her last hours
alone under the lamp
with food and water near.
Bless this brief life
I might have ended
had she stayed hidden
inside the insulation.
Bless her body returned
to earth, no more
or less than any creature.

Wild Geese

Mary Oliver wrote this beautiful poem about sensing and perceiving Nature through direct experiences. Maurice Merleau Ponty wrote about the phenomenology of perception which is the about the way body and its senses act as gateways in perceiving the world. Our body is not an only a thing, it is an object that researches the world.

When we “the soft animal of your body” experience and sense Nature, we are in Nature. We have images for our imagination that fill our hearts and souls so fully. We belong in ways that we cannot as an observer standing outside. We are part of a community that includes all of Nature.

You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert repenting.

You only have to let the soft animal of your body

love what it loves.

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

Meanwhile the sun and the clear pebbles of the rain

are moving across the landscapes,

over the prairies and the deep trees,

the mountains and the rivers.

Meanwhile the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting

over and over announcing your place

in the family of things.

Straight Talk From the Fox

Mary Oliver, one of my many favourite poets, speaks often of our relationship both to and in nature. We are not separate from nature, but a part of it and relate to all its elements, sentient and non-sentient. We relate to nature and all its elements as a participant and not an external, passive observer.

Our observations are not something we can full grasp and write down. The closest we come is expressing what we feel in writing poetry and sharing photography.

Quite often, we are dumb to what happens around us. Other moments, we awake and soak it in through all our senses, embodying what the fox tells us and feeling so close to what we experience in those moments.

Listen says fox it is music to run

over the hills to lick

dew from the leaves to nose along

the edges of the ponds to smell the fat

ducks in their bright feathers but

far out, safe in their rafts of

sleep. It is like

music to visit the orchard, to find

the vole sucking the sweet of the apple, or the

rabbit with his fast-beating heart. Death itself

is a music. Nobody has ever come close to

writing it down, awake or in a dream. It cannot

be told. It is flesh and bones

changing shape and with good cause, mercy

is a little child beside such an invention. It is

music to wander the black back roads

outside of town no one awake or wondering

if anything miraculous is ever going to

happen, totally dumb to the fact of every

moment’s miracle. Don’t think I haven’t

peeked into windows. I see you in all your seasons

making love, arguing, talking about God

as if he were an idea instead of the grass,

instead of the stars, the rabbit caught

in one good teeth-whacking hit and brought

home to the den. What I am, and I know it, is

responsible, joyful, thankful. I would not

give my life for a thousand of yours.