Tag Archives: spirituality

The Wisdom of Peace

Lao Tzu wrote this poem as part of his work many centuries ago. The hard work of transforming life begins internally and closest to home. Sabbath practice and the mindfulness that comes with it are essential ingredients to living life in a fuller, honest, and moment-to-moment way.

We only bring peace to the world when there is peace in our hearts. From there, we gradually move outwards and the ripple effects are felt gradually first in our home, then our communities, cities, in our nations, and finally in the world. It is not the work of one person and one life time, but the work of many and many life times.

In this rippling, leading is not leading others as much as it is leading my self in the world and touching others with new-found peace.

If there is to be peace in the world,
There must be peace in the nations.
If there is to be peace in the nations,
There must be peace in the cities.
If there is to be peace in the cities,
There must be peace between neighbors.
If there is to be peace between neighbors,
There must be peace in the home.
If there is to be peace in the home,
There must be peace in the heart.

The Guest House

Several years ago during a difficult time, I read this poem and it spoke to what I was going through. From time to time, I recall the poem and how it helped me meet life differently. I compartmentalized life, including my emotions, in unhealthy ways. Emotions and accompanying experiences are guests coming and going and not staying for life.

I treated life as different buckets containing each part as if I could easily separate them. Rumi reminded me life is holistic and involves life flowing with no clear boundaries between parts. It is all oneness.

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice.
meet them at the door laughing and invite them in.

Be grateful for whatever comes.
because each has been sent
as a guide from beyond.

Afternoon on a Hill

Edna St. Vincent Millay wrote this beautiful poem which reminded me about how the greatest things are sometimes about those things which touch us, but we do not necessarily touch them. The world greets us in the form of the sun, flowers, its geology, sky, etc. We sense these things in the fullest way. They reach into us and touch us deeply in a spiritual way.

When we are present in the world, it makes the world come alive, we only need to sit, and it makes us feel fully we are part of it and not outside it.

I will be the gladdest thing

   Under the sun!

I will touch a hundred flowers

   And not pick one.

I will look at cliffs and clouds

   With quiet eyes,

Watch the wind bow down the grass,

   And the grass rise.

And when lights begin to show

   Up from the town,

I will mark which must be mine,

   And then start down!

Initiation Song from the Finders Lodge

I did not realize Ursula LeGuin wrote poetry I knew she wrote prose and the poetry was a pleasant surprise.

Besides the last line about always coming home, two other lines stood out. The first was letting my fingertips be my maps. This suggested being in touch with the world I live in; feeling it in a visceral way. When I close my eyes, the world reaches into me through my body. In there, the world lives in my soul which is house which is not a house. That feels Zen-like.

Ted Aoki wrote about bridges which were not bridges. Teachers invite students into learning. In those spaces, anything happens and teachers intuit their way around.

Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
and the ways you go be the lines on your palms.
Let there be deep snow in your inbreathing
and your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well-loved one,
walk mindfully, well-loved one,
walk fearlessly, well-loved one.
Return with us, return to us,
be always coming home.

What is Life?

I don’t know the title of this Gregory Orr poem is so I used the opening line. This is a great question which brings up many other questions. What are the roles that we are each cast in? It is not so much the answers that are important, but the new questions and the searching, the questing that makes life what it is.

“What is life?”

When you first

Hear that question

It echoes in your skull

As if someone shouted

In an empty cave.

The same answer each time:

The resurrection of the body

Of the beloved, which is

The world.

Every poem different, but

Telling the same story.

And we’ve been gathering

Them in a book

Since writing began

And before that as songs

Or poems people memorized

And recited aloud

When someone asked: “What is life?”

Meditation on a Grapefruit

Craig Arnold wrote this poem that reminds us being awake is not just an early morning event. When we engage in ordinary, daily tasks we have opportunties to see them as extraordinary and sacred. Thich Nhat Hanh counsels this gives life fuller meaning. It is encountering the little things in each waking moment that bring deeper, richer living.

To wake when all is possible

before the agitations of the day

have gripped you

To come to the kitchen

and peel a little basketball

for breakfast

To tear the husk

like cotton padding        a cloud of oil

misting out of its pinprick pores

clean and sharp as pepper

To ease

each pale pink section out of its case

so carefully       without breaking

a single pearly cell

To slide each piece

into a cold blue china bowl

the juice pooling       until the whole

fruit is divided from its skin

and only then to eat

so sweet

a discipline

precisely pointless       a devout

involvement of the hands and senses

a pause     a little emptiness

 each year harder to live within

each year harder to live without

136 Syllables at Rocky Mountain Dharma Center

Each morning, I sit in the little chapel that is on-site. It is a daily Sabbath I keep up. While in Spokane, I stay in a building that was once a convent and it retained some of convent-like features. I retreat each morning and try to quiet my mind in readiness for entry into the day.

It is interesting to notice what shares the space with me. Sounds come from outside. Crows are cawing and smaller birds cheep. The sunlight casts a finger through windows brightening the space.

Allen Ginsberg captured the essentialquiet and solitude where I am never alone. People visit as thoughts flow. It is a simultaneous opening up to what is around  and what is inside .

When I began sitting in the chapel, I brought my cell phone and checked time. Now, I leave it in the room and my practice suggests when it is appropriate to begin the day.

Tail turned to red sunset on a juniper crown a lone magpie cawks.

Mad at Oryoki in the shrine-room — Thistles blossomed late afternoon.

Put on my shirt and took it off in the sun walking the path to lunch.

A dandelion seed floats above the marsh grass with the mosquitoes.

At 4 A.M. the two middle-aged men sleeping together holding hands.

In the half-light of dawn a few birds warble under the Pleiades.

Sky reddens behind fir trees, larks twitter, sparrows cheep cheep cheep
cheep cheep.

Tewksbury Road

There is something about walking in nature that stimulates all the senses. I come alive in those walks and feel energized. We walked the North Saskatchewan River Valley two years ago during Autumn. The leaves turned colour. Over time, I smelled rich decay as Nature continued in her life-cycle.

Nature celebrates her Sabbath. It is a time of renewal emerging from what was alive. She never wastes.

John Masefield described a pastoral scene I imagined in a multi-sensory way. There is a universality in these scenes that touches the spirit.

It is good to be out on the road, and going one knows not where,

Going through meadow and village, one knows not whither or why;

Through the grey light drift of the dust, in the keen cool rush of the air,

Under the flying white clouds, and the broad blue lift of the sky.

And to halt at the chattering brook, in a tall green fern at the brink

Where the harebell grows, and the gorse, and the foxgloves purple and white;

Where the shifty-eyed delicate deer troop down to the brook to drink

When the stars are mellow and large at the coming on of the night.

O, to feel the beat of the rain, and the homely smell of the earth,

Is a tune for the blood to jig to, and joy past power of words;

And the blessed green comely meadows are all a-ripple with mirth

At the noise of the lambs at play and the dear wild cry of the birds.

Fire

Judy Brown wrote this poem and it is a gentle reminder of spaces in our lives that softly breath passion back into living. In these spaces, we lightly lay com-passion, integrating it in life and rekindling  passion.

Sabbath is an ongoing event. It is the daily pauses taken to be thankful and momentarily rest. It is meditation and prayer, listening not for certainty and answers, but more likely questions serving as life’s fuel. It is being in Nature and seeing ourselves as a small part of the larger whole.

What makes a fire burn
is space between the logs,
a breathing space.
Too much of a good thing,
too many logs
packed in too tight
can douse the flames
almost as surely
as a pail of water would.

So building fires
requires attention
to the spaces in between,
as much as to the wood.

When we are able to build
open spaces
in the same way
we have learned
to pile on the logs,
then we can come to see how
it is fuel, and absence of the fuel
together, that make fire possible.

We only need to lay a log
lightly from time to time.

A fire
grows
simply because the space is there,
with openings
in which the flame
that knows just how it wants to burn
can find its way.

The Low Road

I had to read this whole poem as the first stanza is scary, but Marge Piercy provides a message about the way we our Self.  We are never alone in this work even when we are separate in time and space. Humans connect in ways that make the person stronger.

When we care and act, the world becomes a different place. It is one act, one word, one smile at a time. It is a moment of mindful gratitude at a time. It happens when we are attentive, mindful, and present in the world and not as detached observers.

What can they do
to you? Whatever they want.
They can set you up, they can
bust you, they can break
your fingers, they can
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember, they can
take your child, wall up
your lover. They can do anything
you can’t stop them
from doing. How can you stop
them? Alone, you can fight,
you can refuse, you can
take what revenge you can
but they roll over you.

But two people fighting
back to back can cut through
a mob, a snake-dancing file
can break a cordon, an army
can meet an army.
Two people can keep each other
sane, can give support, conviction,
love, massage, hope, sex.
Three people are a delegation,
a committee, a wedge. With four
you can play bridge and start
an organization. With six
you can rent a whole house,
eat pie for dinner with no
seconds, and hold a fund raising party.
A dozen make a demonstration.
A hundred fill a hall.
A thousand have solidarity and your own newsletter;
ten thousand, power and your own paper;
a hundred thousand, your own media;
ten million, your own country.

It goes on one at a time,
it starts when you care
to act, it starts when you do
it again and they said no,
it starts when you say We
and know you who you mean, and each
day you mean one more.