Tag Archives: teacher as transformer

Learning is the Thing for You

I told students, when I learned something new, I was going home to tell my wife. I unsure they believed me, but, often, I would go home and tell Kathy what I had learned or a particular frustration from the day. Often, the latter led to learning.

T. H. White, in this excerpt from The Once and Future King, suggests learning is a universal solvent for what ails us at any given moment. It distracts us from worrisome, sad, and fearful things focuses on something right here in the present moment. It occupies our minds, fills our bodies, and feeds the soul of our being.

“The best thing for being sad,” replied Merlyn… “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss you only love, you may see the world around you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then–to learn. Learn why the world ways and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured, never fear or distrust, and never dream regretting. Learning is the thing for you.”

Landscape Survey

I chose a metaphor about 21st Century learning being similar to a living topography in my writing to date, which is different from the flat world view of some i.e. Thomas Friedman.

There is definitely more information available in our world and it comes at us much faster, but my view is one that of textured and layered world and not flat. This uses the etymological roots of topic linked to topikas and topos. In this sense, we engage topics which are alive and there multiple meanings continually emerge, one for each person in the learning environment.

I am challenged by the thought my understanding is not the only one that applies. I only need to turn to nature and see what John Brehm pointed out in this poem. I constantly survey landscapes as communally a better world hopefully emerges, not through a unified understanding, but one diversely rich and humane. I am called to remember others see things from a particular and unique perspective that is their own, not mine.

And what about this boulder,

knocked off the mountain top and

tumbled down a thousand years ago

 to lodge against the stream bank,

does it waste itself with worry

about how things are going

to turn out? Does the current

slicing around it stop itself mid-

stream because it can’t get past

all it’s left behind back at

the source or up in the clouds

where its waters first fell

 to earth? And these trees,

would they double over and

clutch themselves or lash out

 furiously if they were to discover

what the other trees really

thought of them? Would the wind

 reascend into the sky forever,

like an in-drawn breath,

if it knew it was fated simply

to sweep the earth of windlessness,

to touch everything and keep

The Journey

Mary Oliver is one of my favourite poets. When I open a book, I am often drawn to her writing. There is something in the simplicity that is profound. She peels away layers in ways that help me see the world quite differently.

Father Richard Rohr comments that we live the first half of life in busyness and, if we are lucky, the second half is one where we slow the pace, contemplate, and find wisdom which helps us grow into the life we are.

Quite often, the voices which distract and the barriers on the road are ones I create. It takes time, patience, and support to find the light seeping through clouds. The stars’ make the journey hopeful, that I can go deeper into the life.

One day you finally knew

what you had to do, and began,

though the voices around you

kept shouting

their bad advice–

though the whole house

began to tremble

and you felt the old tug

at your ankles.

“Mend my life!”

each voice cried.

But you didn’t stop.

You knew what you had to do,

though the wind pried

with its stiff fingers

at the very foundations–

though their melancholy

was terrible.

It was already late

enough, and a wild night,

and the road full of fallen

branches and stones.

But little by little,

as you left their voices behind,

the stars began to burn

through the sheets of clouds,

and there was a new voice,

which you slowly

recognized as your own,

that kept you company

as you strode deeper and deeper

into the world

determined to do

the only thing you could do–

determined to save

the only life you could save.

The Bridge

As I write or is the verb dissertate, two early themes emerge: bridges and the ecological nature of classroom. In learning, there is an ongoing bridging from place to place, from time to time, from subject to subject, and from you me and back again.

A bridge we forget is one that takes inside our self. Learning is constant transforming. We are always changing yet we are rarely aware of change. It is like a fish in water, it just happens.

It is important to be mindful and present in learning. What are the changes? What does this bridge between you and me change in each of us? We never become one and it is in the in-between spaces on those bridges that we find the newness of our self when we linger.

Octavio Paz’s poem reminds me of bridges that fill learning spaces, an ecology of learning. There is a rainbow in, over, and between learning as I learn who I am, the world I live in, and the beings I share that world with.

Between now and now,
between I am and you are,
the word bridge.

Entering it
you enter yourself:
the world connects
and closes like a ring.

From one bank to another,
there is always
a body stretched:
a rainbow.
I’ll sleep beneath its arches.

The Courage to Be New

Robert Frost wrote this interesting poem. It is unclear what the underlying topic was, but it was possibly written after one of the World Wars.It seems with the passing of Pete Seeger thinking about violence and its meaning, if there is any, is appropriate. There isn’t reason, but it seems human nature to overlook the violence beginning in daily life.

The courage to be new is real in many settings. It is hard to change practices and become someone new, although what human being is about, always transforming. We become caught in a vice of busyness that doesn’t let us see past routines or see into them for that matter. Children likely see past much better and then, as they grow up, they are stymied. The courage to stop violence begins with the person, the self. When I look in, I find spaces where light shines in and helps me walk the path with a little more courage.

I hear the world reciting
The mistakes of ancient men,
The brutality and fighting
They will never have again.

Heartbroken and disabled
In body and in mind
They renew talk of the fabled
Federation of Mankind.

But they’re blessed with the acumen
To suspect the human trait
Was not the basest human
That made them militate.

They will tell you more as soon as
You tell them what to do
With their ever breaking newness
And their courage to be new.

Riprap

Yesterday, I walked downtown and bought some books at Aunties Bookstore. It offers a combination of new and used. I wandered and found an eclectic riprap of books. There were poetry, philosophy, and spirituality books mixed in.

Gary Snyder wrote a poem using that word: riprap. I felt a little that way as I wrote today as I tried to fit new words in among the old words. The old words are somewhat concrete and the new ones found it challenging to fit into the spaces. Actually, some of the new words were old and were previously used by others who went before. Even those words were not always easily fitted into the seams I tried squeezing them into. But, I tried not to force too hard out of concern I might break the space wide open and let something else come flooding in.

We probably live that way at times. We fit the new among the old. It causes some perplexity this complexity.

Lay down these words

Before your mind like rocks.

placed solid, by hands

In choice of place, set

Before the body of the mind

in space and time:

Solidarity of bark, leaf, or wall

riprap of things:

Cobble of milky way,

straying planets,

These poems, people,

lost ponies with

Dragging saddles

and rocky sure-foot trails.

The worlds like an endless

four-dimensional

Game of Go.

ants and pebbles

In the thin loam, each rock a word

a creek-washed stone

Granite: ingrained

with torment of fire and weight

Crystal and sediment linked hot

all change, in thoughts,

As well as things.

A Ritual to Read to Each Other

I finished my first weekend of classes today. An emphasis is respectful dialogue in ways that honour the other person. In this way, we to listen and not think of our next response. Perhaps, reaction is a better way of understanding that thinking process.

We critique our work in the group. For example, we share our dissertation statements and, as we are in the early stages of writing, they are a little rough around the edges at times. We try set aside the emotional attachment we form with our work so we can listen to the voices offering help.

William Stafford wrote this poem and the last stanza is profound. When we listen deeply, we move out of the darkness more easily towards the stars we seek.

If you don’t know the kind of person I am

and I don’t know the kind of person you are

a pattern that others made may prevail in the world

and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,

a shrug that lets the fragile sequence break

sending with shouts the horrible errors of childhood

storming out to play through the broken dyke.

And as elephants parade holding each elephant’s tail,

but if one wanders the circus won’t find the park,

I call it cruel and maybe the root of all cruelty

to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,

a remote important region in all who talk:

through we could fool each other, we should consider–

lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,

or a breaking the line may discourage them back to sleep;

the signals we give–yes or no, or maybe–

should be clear: the darkness around us is deep.

Riding Lesson

I learned two things
from an early riding teacher.
He held a nervous filly
in one hand and gestured
with the other, saying “Listen.
Keep one leg on one side,
the other leg on the other side,
and your mind in the middle.”

He turned and mounted.
She took two steps, then left
the ground, I thought for good.
But she came down hard, humped
her back, swallowed her neck,
and threw her rider as you’d
throw a rock. He rose, brushed
his pants and caught his breath,
and said, “See that’s the way
to do it. When you see
they’re gonna throw you, get off.”

I came across a new poem today and the message reminded me of being in the classroom. Yesterday, I read an article about things students remember teachers for and they are relational i.e. humour, kindness, compassion, a good listener, etc.

Kathy comments I was a good junior high teacher, because I am an overgrown adolescent. In that way, I retained a sense of humour about the learning I did with kids. When I messed up, similar to the last lines of this Henry Taylor poem, I would often say, “I planned it that way.” Over time, the students would respond in kind.

We learn because we get up, dust ourselves off, and get back to living our lives. In French, the word for experiment is expérience and life is that. Life is unpredictable with its twists, turns, and we will be bucked off metaphorically and it is richer when experienced fully. Humour and forgiving ourselves when we fall off are important. Kindness begins at home with us and extends outwards.

Shaking the Tree

I wrote and scrambled a bit today. I was unsure of where I was with the dissertation process yesterday and then it seemed, as I set the books down and wrote, things fell into place more easily. I read material on complexity theory and its related sciences. The classroom, the school, and all their relationships are complex beyond even the simplest complex system the science can describe. Social systems are so complex we cannot to take them to scale. Basically, it boils down to what happens in one school, perhaps a classroom, is unique to that place and that time.

In the midst of all this complexity, I skimmed Facebook and found a poet, Jeanne Lohmann, I had not read before. She writes about the deep interconnectedness we share with each other, the world, the universe, and what exists beyond. And, everything depends on everything. When we shake that tree, something else, many other things, respond. In the holy things, we find wholeness.

Vine and branch we’re connected in this world

of sound and echo, figure and shadow, the leaves

contingent, roots pushing against earth. An apple

belongs to itself, to stem and tree, to air

that claims it, then ground. Connections

balance, each motion changes another. Precarious,

 hanging together, we don’t know what our lives

support, and we touch in the least shift of breathing.

Each holy thing is borrowed. Everything depends.

 

The Irony of American

I could have taken the following from any history. It transcends borders. I was unaware that Reinhold Niebuhr wrote the Serenity Prayer.

I chose this passage as it resonated with my writing today and it was the first page I turned to in the book of poetry I used today. What resonated with me was in my writing I draw on the work of John Dewey, Alfred North Whitehead, Plato, and others. The first two lines about hope provide a people with hope. What does it mean to be educated in the 21st Century? This question is partly premised on what it meant to be educated in earlier times. The context of Dewey and Whitehead was in the shadow of the Industrial Revolution. Horace Mann and Thomas Jefferson wrote in the shadow of the American Revolution. The rapid change of their times can give us faith that we will figure out what it means to be educated in these times.

I do not outline well. I get to writing, but, with a dissertation, I have to try outline so I have broken it up a bit. Today, I wrote part of the introductory chapter and sent it to Kathy to make it makes sense. In that I have hope and faith that love will save me.

Nothing that is worth doing can be achieved in our lifetime;

therefore, we must be saved by hope.

Nothing which is true or beautiful or good makes complete sense

in any immediate context of history;

therefore, we must be saved by faith.

Nothing we do, however virtuous, can be accomplished alone;

therefore we are saved by love.